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R
R-V302K
Natural Sound AV Receiver
Thank you for selecting this YAMAHA AV receiver.
OWNER’S MANUAL
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CONTENTS Supplied Accessories ......................................2 Basic Operations ...........................................19 Features ..........................................................3 Tuning Operations .........................................22 Caution ............................................................4 Preset Tuning ................................................23 Profile of This Unit ...........................................5 Using Digital Sound Field Processor
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English FEATURES Digital Sound Field Processor General l l 5 Speaker Configuration Digital Sound Field Processor (8 Programs including 4 programs for U.S.A. model < > Karaoke) Main: 60W + 60W (8Ω) RMS Output Power, 0.04% THD, 20–20,000 Hz l Dolby Surround Decoder Center: 60W (8Ω) RMS Output Power, ( PRO LOGIC, 3 STEREO) 0.1% THD, 1 kHz l Automatic Input Balance Control for Rear: 20W (8Ω) RMS Output Power, Dolby Surround 0.7% THD, 1 kHz l Test Tone Generator for Easier Speaker Singapore and Gen
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CAUTION : READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual IMPORTANT carefully. Keep it in a safe place for future reference. Please record the serial number of this unit in the space below. 2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, Serial No.: dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, The serial number
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English PROFILE OF THIS UNIT You are the proud owner of a Yamaha AV receiver — an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a totally new listening environment
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SPEAKER SETUP SPEAKERS TO BE USED This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are main speakers, rear speakers and a center speaker. You can use one rear speaker only instead of using two rear speakers, and omit the center speaker. (Refer to the “SPEAKER CONFIGURATION” shown below.) The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers f
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English CONNECTIONS Never plug in this unit and other components until all connections are completed. CONNECTIONS WITH OTHER COMPONENTS When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. * If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be mad
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CONNECTING SPEAKERS Rear speaker Rear speaker Center speaker Left Right (General model) IMPEDANCE SELECTOR SET BEFORE POWER ON REAR SINGLE:6ΩMIN. /SPEAKER REAR :3ΩMIN. /SPEAKER CENTER :6ΩMIN. /SPEAKER MAIN A OR B:4ΩMIN. /SPEAKER A B:8ΩMIN. /SPEAKER REAR REAR SINGLE:8ΩMIN. /SPEAKER SINGLE REAR :4ΩMIN. /SPEAKER CENTER :8ΩMIN. /SPEAKER MAIN A OR B:8ΩMIN. /SPEAKER A B:I6ΩMIN ./SPEAKER REAR CENTER REAR Main speakers B A Right Left B MAIN Right Left CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTI
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English How to Connect: Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass. Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This
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IMPEDANCE SELECTOR switch Be sure to switch this only when the power of this unit is turned (Upper position) off. Rear: If you use one rear speaker, the impedance of the Select the position whose requirements your speaker system speaker must be 6Ω or higher. meets. If you use two rear speakers, the impedance of each speaker must be 3Ω or higher. Center: The impedance of the center speaker must be 6W or higher. IMPEDANCE SELECTOR VOLTAGE SELECTOR SET BEFORE POWER ON REAR SINGLE:6ΩMIN. /SPEAKER R
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English ANTENNA CONNECTIONS l Each antenna should be connected to the designated terminals correctly, referring to the following diagram. l Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor FM antenna Outdoor AM ante
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CONTROLS AND THEIR FUNCTIONS FRONT PANEL 123 4 56A 7 90 SUR/KARAOKE PRO LOGIC 3 STEREO EFFECT BALLAD POPS KARAOKE CENTER LIVE HOUSE HALL MODE JAZZ ROCK VOLUME l6 TAPE (MD) 20 l2 VCR VIDEO MONITOR 28 8 POWER 40 4 60 2 TUNER PHONO CD A/B/C/D/E 1 2 3 4 5 6 7 8 0 –dB BASS TREBLE BALANCE CENTER REAR ONE TOUCH PHONES SPEAKERS LEVEL LEVEL FM/AM DOWN TUNING UP VOCAL AID KARAOKE MIC 1 MIC 2 LEVEL ECHO 0 0 0 l l l l l l A B 2 2 2 2 2 2 TUNING 3 3 3 3 3 3 MEMORY EDIT MODE KEY CONTROL 4 4 4 4 4 4 ON OFF
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English B PHONES jack PHONES N TUNING MODE (AUTO/MAN’L MONO) button When you listen with headphones, Press this button to switch the tuning mode to automatic or connect the headphones to the manual. To select the automatic tuning mode, press this button PHONES jack. You can listen to so that “AUTO” lights up on the display. To select the manual the sound to be output from the tuning mode, press this button so that “AUTO” goes off. main speakers through headphones. When listening with headphone
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REMOTE CONTROL TRANSMITTER The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the CD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then this remote control transmitter will also control various functions of each component. 3 SLEEP timer key This key is used to turn the built-in SLEEP timer on and off, 9 and to set the SLEEP time. (See page 32 for details
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English 30° For Other Component Control 2 CD player keys Controls compact disc player. Identify the remote control transmitter keys with your * DISC is applicable only to compact disc changer. component’s keys. If these keys are identical, their functions will be the same. On each key function, refer to the corresponding instruction on your component’s manual. 1 Tape deck keys Controls tape deck. * DIR A, B and A/B are applicable only to double cassette tape deck. * For a single cassette deck
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DISPLAY PANEL 123 456 PRESET SLEEP STEREO ms NORMAL WIDE kHz PHANTOM MHz 0 20 l00 EFFECT OFF PRO LOGIC LIVE HOUSE VOCAL AID MEMORY AUTO TAPE MON 3 STEREO HALL ONE TOUCH KARAOKE 0A B 78 9 1 Multi-information display 8 AUTO indicator Displays various information, for example station frequency, Lights up when this unit is in the automatic tuning mode. preset station number and name of selected input source. 9 TAPE MON indicator 2 STEREO indicator Lights up when the tape deck (or MD recorder etc.
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English SPEAKER BALANCE ADJUSTMENT This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surround decoder. 5 6 1 2 –+ TIME DELAY /KEY /KEY TEST EFFECT SUR/KARAOKE ON/OFF PROGRA
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10 –+ TIME DELAY /KEY /KEY TEST EFFECT SUR/KARAOKE PRO LOGIC 3 STEREO EFFECT BALLAD POPS KARAOKE ON/OFF PROGRAM PROLOGIC 3 STEREO CENTER LIVE HOUSE HALL MODE JAZZ ROCK VOLUME VCR VIDEO l6 TAPE (MD) 20 l2 VCR VIDEO MONITOR 28 8 DIR A DIR B REC/PAUSE PLAY POWER 40 4 TUNER PHONO CD 60 2 TAPE A/B A/B/C/D/E 1 2 3 4 5 6 7 8 0 –dB BASS TREBLE BALANCE CENTER REAR ONE TOUCH PHONES SPEAKERS LEVEL LEVEL FM/AM DOWN TUNING UP VOCAL AID KARAOKE MIC 1 MIC 2 LEVEL ECHO A/B/C/D/E TUNER 0 0 0 –+ PRESET l l l
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English BASIC OPERATIONS TO PLAY A SOURCE 2 7 1, 6 SUR/KARAOKE PRO LOGIC 3 STEREO EFFECT BALLAD POPS KARAOKE CENTER LIVE HOUSE HALL MODE JAZZ ROCK VOLUME l6 TAPE (MD) 20 l2 VCR VIDEO MONITOR 28 8 POWER 4 40 60 2 TUNER PHONO CD A/B/C/D/E 1 2 3 4 5 6 7 8 0 –dB BASS TREBLE BALANCE CENTER REAR ONE TOUCH PHONES SPEAKERS 0 0 0 LEVEL LEVEL FM/AM DOWN TUNING UP VOCAL AID KARAOKE MIC 1 MIC 2 LEVEL ECHO l l l l l l A B 2 2 2 2 2 2 TUNING 3 3 3 3 3 3 MEMORY EDIT MODE KEY CONTROL 4 4 4 4 4 4 ON OFF 0l0
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TO RECORD A SOURCE TO TAPE (OR MD) 4 1 2 SUR/KARAOKE PRO LOGIC 3 STEREO EFFECT BALLAD POPS KARAOKE CENTER LIVE HOUSE HALL MODE JAZZ ROCK VOLUME l6 TAPE (MD) VCR VIDEO 20 l2 MONITOR 28 8 POWER 40 4 60 2 TUNER PHONO CD A/B/C/D/E 1 2 3 4 5 6 7 8 0 –dB ONE TOUCH PHONES SPEAKERS BASS TREBLE BALANCE CENTER REAR LEVEL LEVEL FM/AM DOWN TUNING UP VOCAL AID KARAOKE MIC 1 MIC 2 LEVEL ECHO l 0 l l 0 l l 0 l A B 2 2 2 2 2 2 TUNING 3 3 3 3 3 3 MEMORY EDIT MODE KEY CONTROL 4 4 4 4 4 4 ON OFF 55 55 LR 55 0l
