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CVM-1022
PROFESSIONAL AUDIO MIXER (p. 2)
TABLE DE MIXAGE AUDIO PROFESSIONNELLE (p. 24)
MESA DE MEZCLAS PROFESIONAL (p. 48)
PROFESSIONELLEN AUDIO-MIXER (S. 72)
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IMPORTANT SAFETY INSTRUCTIONS CAUTION: THE LIGHTNING FLASH WITH AN ARROWHEAD SYMBOL WITHIN AN EQUILATERAL TRIANGLE IS INTENDED TO ALERT THE USER TO THE PRESENCE OF UN-INSULATED DANGEROUS VOLTAGE WITHIN THE UNITS ENCLOSURE THAT MAY BE OF SUFFICIENT MAGNITUDE TO CONSTITUTE A RISK OF ELECTRIC SHOCK TO PERSONS. WARNING: THE EXCLAMATION POINT WITHIN AN EQUILATERAL TRIANGLE IS INTENDED TO ALERT THE USER TO THE PRESENCE OF IMPORTANT OPERATING AND MAINTENANCE (SERVICING) INSTRUCTIONS IN THE LITER
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IMPORTANT SAFETY INSTRUCTIONS CAUTION TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT FULLY INSERT. ENGLISH: The apparatus shall be connected to a Mains socket outlet with a protective earthing connection. GERMAN: Das Gerät ist eine Wandsteckdose mit einem Erdungsleiter angeschlossen werden. FRENCH: L’appareil doit être connecté à une prise secteur avec connexion à la terre. SPANISH: El aparato estará conectado a una toma de red eléctrica con una conexión a tierra. ITALI
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REGULATORY CERTIFICATION Cerwin-Vega declares under our sole responsibility that this product, to which this declaration relates, is in conformity with the following standards: The Declarations of Conformity can be obtained from Gibson Europe BV - Kamerlingh Onnesweg, 2 - 4131 PK Vianen - The Netherlands Tel : +31 347 32 40 10 - Fax : +31 347 32 40 15 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not caus
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INTRODUCTION Thank you for your decision to purchase Cerwin-Vega’s new CV Mixer Series professional audio mixer! Engineered for superior sound reproduction, the CV Mixer Series line of professional audio mixers deliver top quality audio at an affordable price. The CV Mixer Series offer a standard of reliability and efficiency that makes them the perfect solution for every DJ, musician, and sound engineer. Welcome to a new level of professional quality sound performance! UNPACKING & INST
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FRONT PANEL CONTROLS – CHANNEL CONTROL SECTION (1). PEAK LED INDICATOR This LED indicators lets you check the level of the signal input to the channel. The peak indicator lights when the input signal reaches 5dB below the channel’s clipping point. This indicator shows the level of the Post-EQ / pre-fader signal. If the PEAK indicator lights more than briefly on high-level transients, you should use the GAIN control to decrease the input sensitivity of the channel. If this does not wo
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FRONT PANEL CONTROLS – CHANNEL CONTROL SECTION (continued) (7). PAN /BAL CONTROL PAN (Mono Channel) This control pans the channel signal across the master L and R buses, thus determining the perceived position of the sound from that channel in the output stereo sound field. If a PAN control is set all the way to the left, for example, the sound from that channel will be heard from the left speaker system only. If it is set all the way to the right, the sound will be heard from the righ
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FRONT PANEL CONTROLS – MAIN CONTROL SECTION (1). PHANTOM POWER INDICATOR This indicator lights when the phantom power switch is turned on. (2). PHANTOM POWER SWITCH This switch toggles phantom power on or off. If you set the switch on, the mixer supplies power to all channels that provide XLR microphone input jacks. Set this switch on when using one or more condenser microphones. WARNING, be sure the microphone you are using is compatible or will not be affected by phantom powe
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FRONT PANEL CONTROLS – INPUT/OUTPUT CONNECTORS (1). Channel Input Jacks MIC JACKS A 3-pin XLR-type connector is used for balanced low impedance microphone inputs. (pin 1: sleeve, 2: hot, 3:cold) BALANCED LINE IN JACKS A standard 1/4” phone jack is used for balanced or unbalanced line level signals. Examples of line level signals include most electronic keyboards, synthesizers, turn-tables (with appropriate pre-amps), tape decks and the line outputs from other mixers. (2). CHA
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FRONT PANEL CONTROLS – INPUT/OUTPUT CONNECTORS (continued) (7). SEND JACKS * AUX: These are unbalanced phone jacks-type output jack. This jack output the signal form AUX bus, respectively. You use this jack, for example, to connect to an effector or to a cue box or other such monitoring system. * EFX: These are unbalanced phone jacks-type output jack that output the signal form the EFFECT bus. You use this jack, for example, to connect to an external effector (8). RETURN L (MONO), R
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REAR PANEL CONTROLS (1). AC ADAPTOR IN CONNECTOR Connects to the included power adaptor. NOTE: Use only the adaptor included with this mixer. Use of a different adaptor may result in fire or electric shock. (2). POWER SWITCH Use this switch to turn mixer power to ON. POINTS TO REMEMBER - In all cases, use good quality twin screened audio cable. Check for instability at the output. - Always connect both conductors at both ends, and ensure that the screen is only conn
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CONNECTIONS Table A (1/4” TRS) Sleeve Ring Tip Insert Screen Return Send Balanced Line Ground Cold (-) Hot (+) Unbalanced Line Ground n/a Hot (+) Headphones Sleeve Right Left Table B (XLR) Pin 1 Pin 2 Pin 3 XLR Shield/Ground Cold (-) Hot (+) 12
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CONNECTIONS – CONNECTOR AND CABLE CONFIGURATIONS 13
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APPLICATIONS – HOME RECORDING Setup Procedure 1. Before connecting to microphones and instruments, be sure that all devices are turned off. Also be sure that all of the mixer’s channel fader and master control faders are set all the way down. 2. For each connection, connect one end of the cable to the relevant microphone or instrument and connect the other end to the appropriate input jack on the mixer. 3. To avoid causing damage to the speaker, power up the devices in the following
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APPLICATIONS – LIVE PERFORMANCE 15
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BLOCK DIAGRAM 16
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GENERAL SPECIFICATIONS *0dB=0.775Vrms, 0dBV=1VRMS +20dB (MAIN L/R), +20dB (AUX, EFX, CTRL ROOM) Maximum Output Level (0.5% T.H.D. at 1kHz) +20dB (INSERT) more than 100mW (HEADPHONES) @ 33Ω T.H.D. <0.1% @ +14dB 20Hz~20kHz (MAIN L/R, AUX SEND, EFX SEND, CTRL ROOM) Frequency Response 20Hz~20kHz, +1/-2dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -127dB equivalent input noise, -95dB residual noise (MAIN L/R, AUX/EFX SEND, CTRL Hum and Noise (Average, ROOM OUT), -88dB (MAIN L/R, AUX/EFX s
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SPECIFICATIONS INPUT Input Connector Input Impedance Nominal Impedance Rated Input Level Connector Type CH Mic 4 kΩ 50 ~ 600 Ω -50 dB XLR 3-31 Type Balanced Phone Jack (TRS) CH Line 10 kΩ 600 Ω -30 dB T=Hot R=Cold S=GND Stereo Input Mic 3 kΩ 600 Ω -44 dB XLR 3-31 Type Balanced Stereo Input Line 5 kΩ 600 Ω -20 dB Unbalanced Phone Jack Aux Return Insert 10 kΩ 600 Ω +4 dB Unbalanced Phone Jack Input Mono Channel Insert Phone Jack (TRS) T=Out 10 kΩ 600 Ω 0 dB Input R=In S=GND Tape
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WARRANTY Thank you for choosing one of Gibson Pro Audio’s brands (Stanton, KRK, or Cerwin Vega!). Your satisfaction is extremely important to us. We proudly stand behind the quality of our work and appreciate that you put your trust in us. Registering your merchandise will help us guarantee that you are kept up to date on our latest advances. To Register Merchandise Purchased from an Authorized Gibson Pro Audio Dealer in the U.S.: Please go to: http://www.gibson.com and register onlin
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WARRANTY (continued) THIS WARRANTY IS EXTENDED TO THE ORIGINAL RETAIL PURCHASER ONLY AND MAY NOT BE TRANSFERRED OR ASSIGNED TO SUBSEQUENT OWNERS. IN ORDER TO VALIDATE YOUR WARRANTY, AND AS A CONDITION PRECEDENT TO WARRANTY COVERAGE HEREUNDER, YOU MUST REGISTER YOUR WARRANTY WITHIN FIFTEEN (15) DAYS FOLLOWING THE ORIGINAL DATE OF PURCHASE.YOUR PROOF OF PURCHASE OR SALES RECEIPT MUST ACCOMPANY ALL REQUESTS FOR WARRANTY COVERAGE. This warranty is subject to the following limitations: T
