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                        ARRILASER
The Industry Standard in Film Recording                                                                                                                                                                                                                                                                                                                                                                                                                                                                   
                    
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                        ARRILASER The ARRILASER is the only film recorder to use laser technology. With this tech- nology it has set industry standards in image quality, productivity and reliability,  and has significantly reduced the cost of recording digital images onto film. It has  even been recognized and honored by the Academy of Motion Picture Arts and  Sciences (A.M.P.A.S) with a Technical Achievement Award in 2002. From the time of its first introduction, the ARRILASER has had the ability to  record in true 4K
                    
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                        ARRI DIGITAL INTERMEDIATE SYSTEMS   |  |  ARRILASER ARRILASER Models Speed Speed HighSpeed HighSpeed  HD/DI twoK Performance twoK Performance Speed specification Sec/frame Sec/frame Sec/frame Sec/frame Sec/frame HD 3.4 1,9 1,9  2K 1:1.85 3.2 1,7 1,7 approx. 1.0 approx. 1.0 2K Fullap 4.1 2,2 2,2  4K 1:1.85 2,9  – – approx. 1.5 – 4K fullap 3,8 – – Intermediate film stock • • • • • Camera negative stock Optional Optional Optional Optional Optional  Resolution 2K • • • • • Resolution 4K – – • – • On
                    
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                        Laser Light Source Three solid state lasers are used in the ARRILASER, producing monochro- matic light beams in the colors red, green and blue. With a perfect Gaussian  shape, very long life expectancy and minimal size as well as power consump- tion, they are the key to the ARRILASER’s unrivalled image quality. The data for each color channel and pixel is fed to an Acousto-optical  Modulator (AOM) as a light intensity value, according to which the beam  intensity is controlled. The AOM translate
                    
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                        ARRI DIGITAL INTERMEDIATE SYSTEMS   |  |  ARRILASER Camera and Film Transport The increased CPU capacity of the new ARRILASER camera  electronics enables more sophisticated control of motors in  the camera and magazines. In addition, the display and the  camera buttons now offer expanded and improved features. Control of the ARRILASER using the display and the camera  buttons has been simplified to allow more intuitive camera  operation and film loading. The two camera buttons now  function as s
                    
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                        ARRI DIGITAL INTERMEDIATE SYSTEMS   |  |  ARRILASER Internal Electronics and Processing Newly designed electronics now allow the bit depth of the internal  processing to be raised from 10-bit to 16-bit, thereby rendering addi- tional bit depth conversion unnecessary. This enables the processing  of all 16-bit image data without any compression, from the file loader  all the way down the data path to the D/A converter (digital-to-analog  converter). The implementation of commonly-used FPGAs (fiel
                    
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                        ARRILASER Software The new ARRILASER Trillian interface, which replaces  the current AL GUI, offers unprecedented flexibility  of operation and is itself capable of speeding up daily  operations. Trillian’s main advantage is its ability to  control and operate multiple lasers with the ease of  just one application. Job Editor A single, centralized job database allows multiple reel  recording with just one click and greatly simplifies  both job and calibration management. The new job  editor allo
                    
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                        ARRI DIGITAL INTERMEDIATE SYSTEMS   |  |  ARRILASER ImageBooster Real-Time Image Viewer The existing ARRILASER Image Process- A new image viewer with A/B comparison fully visual- ing Engine is being replaced by the new izes the image manipulation to avoid any unpleasant  ARRILASER ImageBooster software that surprises after a recording has finished. With the new  is also used in the ARRISCAN film scan- GPU-based rendering, all image manipulations made  ner and ARRIFLEX D-21 camera. The by the ARR
                    
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                        Additional Options  ARRICUBE for Videolook – ARRILASER Color Management 3-Perforation Module – Recording of 3-perf Material ARRILASER Color Management offers the option to perfectly match all This allows the ARRILASER to generate a 3-perf negative with  colors of the film projection with the colors of a video monitor as part of image frames that are three perforations high. the ARRILASER image processing workflow. ARRILASER Aquamat – ARRILASER Quality Control Camera Negative Module – Recording o
                    
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                        ARRI DIGITAL INTERMEDIATE SYSTEMS   |  |  ARRILASER Upgrade any Model The ARRILASER is designed as a fully modular system and each model in the  range is fully upgradeable. This protects the investment made by ARRILASER  customers by ensuring that they can change and update their film recorders as  and when the focus of their business shifts. All models come with the same renowned image quality, performance and  reliability. They are separated only by recording speeds and maximum image  resoluti
                    
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                        Germany Arnold & Richter Cine Technik (Headquarters, Sales & Service) Türkenstraße 89, D-80799 Munich, Germany Tel: +49 (0)89 3809 0, Fax: +49 (0)89 3809 1245 Great Britain ARRI GB Limited (Sales & Service) 2 Highbridge, Oxford Road, Uxbridge, Middlesex, UB8 1LX, Great Britain Imaging Equipment Sales: Allan Fyfe, afyfe@arri-gb.com Tel: +44 (0)1895 457 000, Fax: +44 (0)1895 457 001 Italy ARRI Italia S.r.l. (Sales & Service, Milan) Viale Edison 318, 20099 Sesto San Giovanni (Milano), Italy General