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OWNER’S MANUAL
SRM-10X
10-CHANNEL STEREO MIC/LINE MIXER
MIXER
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SRM-10X 10-Channel Stereo Mic/Line Mixer Congratulations on your choice of mixers — you have Date of Purchase purchased one of the finest compact mixing consoles on the Dealer’s Name market today. This unit was developed using the expertise of professional sound engineers and working musicians. You City will find that your new NADY AUDIO SRM-10X has superior performance and greater flexibility than any other mixer in its State price range. Please read this manual carefully to get the most out o
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WARNING An equilateral triangle enclosing a lightening flash/arrowhead symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure which may be of sufficient magnitude to constitute a risk of electric shock. ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR An equilateral triangle enclosing an exclamation point is intended to alert the user to the presence of important operating and service instructions in the literature enclosed
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FEATURES The SRM-10X is the ultimate value in compact professional stereo mic/line mixers. This high quality unit is perfect for home and project studios, live club main and monitor mixing, video post-production studios, remote broadcasting — in fact, anywhere superior performance, rugged reliability and ultra-versatility are needed in an audio mixer. With 10 channels (including 2 stereo AUX returns) and 2 tape inputs, the SRM-10X offers 12 total inputs in all. Features include: • Separate Maste
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INSTALLATION To ensure years of enjoyment from your NADY AUDIO SRM-10X mixing console, please read and understand this manual thoroughly before using the unit. 1. INSPECTION Your NADY AUDIO SRM-10X was carefully packed at the factory in packaging designed to protect the units in shipment. Before installing and using your unit, carefully examine the packaging and all contents for any signs of physical damage that may have occurred in transit. [Please note: Nady Systems is not responsible for ship
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CONTROLS AND CONNECTIONS 1. MONO INPUT SECTION (1) COMBINED MIC XLR / 1/4” LINE INPUT The Mic input is an electronically balanced XLR type designed to accept signals from any balanced low impedance (1) (Low Z) microphone. To accommodate condenser microphones, this input is also equipped with +48VDC phantom power globally switchable to all XLR input jacks with the Phantom Power switch (33). Dynamic or ribbon-type microphones do not require phantom powering. It will be necessary to adjust the chan
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CONTROLS AND CONNECTIONS The best balance of S/N and dynamic range will be achieved (7) PRE/POST SWITCH if you adjust the TRIM control on each channel separately so This switch selects whether the AUX SEND signal is Pre or that the Peak Indicator LED (9) for that channel lights Post Gain control. (Up = Pre, Depressed = Post) occasionally. (8) PAN CONTROL (4) LOW CUT FILTER The Channel Pan positions the output of the channel in the Use this Low-Cut (high-pass) filter (18 dB/octave, -3 dB at 75 s
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CONTROLS AND CONNECTIONS 2. STEREO INPUT SECTION (25) R LINE INPUT When using channels 3-6 as stereo input channels, the left signal should be connected to the L input and the right signal to the R input. These signals will be routed to the AUX, EQ (12) and Channel Gain controls equally and will retain their stereo (13) separation. The AUX, EQ, BAL, and Channel Gain controls all function the same as those on the mono input channels. When a stereo signal is input to a stereo input channel, these
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CONTROLS AND CONNECTIONS 3. MASTER SECTION (22) (21) (23) (26) (20) (24) (25) (29) (27) (28) (30) b. Main Mix Function and Operation a. AUX Sends/Returns Function and Operation (23) MONO OUTPUT (29) STEREO AUX RETURNS LEFT/MONO (26) STEREO OUTPUTS (30) STEREO AUX RETURNS RIGHT (27) TAPE INPUTS (12) AUX RETURN CONTROLS (28) REC OUTPUTS The Aux Return jacks are the mono or stereo returns for AUX (40) MASTER MIX MONO CONTROL 7-10. If you connect a signal to the Left/Mono Return jack (41) MASTER MIX
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CONTROLS AND CONNECTIONS The SRM-10X allows you to monitor the Master Mix. The signal level is adjusted with the Headphone/Control Room level (39) and routed to both the Control Room (22) and Phones (21) output. The Control Room Output (22) can be (31) (33) connected to an amp to power stereo control room (or other) monitor speakers and is 1/4" stereo jack. Both Control Room (32) (22) and Phones (21) outputs are wired: Tip = left signal, ring = right signal, sleeve = ground. (35) (34) d. Power S
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CONNECTIONS This NADY AUDIO console uses 4 different types of audio connectors for the various input/output connections: (1) XLR balanced; (2) 1/4" TRS phone jacks for balanced, unbalanced, stereo, or in/out inserts; (3) 1/4" TRS unbalanced; (4) RCA pin unbalanced Figures 1. Balanced XLR input/output connections 2. Stereo headphone connection with 1/4" TRS MICROPHONE INPUTS GROUP & MIX OUTPUTS plug 3. 1/4" mono (TRS) plug used as unbalanced 2 1 1 2 input/output Ground (Screen) 3 3 4. 1/4" stere
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SPECIFICATIONS Setting: MONO OUT, +4dBm/400Hz, All Pots at MID, Master at MAX. 1. INPUT SECTION Input Connector Input Impedance Nominal Level Max Level MONO CH MIC XLR 1.3K Ω -28 dBm -1.0 dBm MONO CH LINE 1/4" TRS 11K Ω -10 dBm +17 dBm STEREO CH LINE 1/4" TRS 10K Ω -10 dBm +10 dBm STEREO TAPE IN RCA PIN JACKS 10K Ω -9 dBm +8 dBm AUX RETURNS 1/4" TS 5K Ω -11 dBm +8 dBm 2. OUTPUT SECTION Output
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BLOCK DIAGRAM 13 MASTER Phantom 48V Peak Ind. Fader MIC Input L Stereo Out Left + GAIN PAN 12 2 EQ _ LOW CUT 3 Line AUX Hi Low R Stereo Out Right PRE/POST TRIM Insert PFL Left Channels 1 - 2 Tape Out GAIN L Left Mono 2 EQ Right BAL AUX SEND AUX Send Hi Low Line Input R 2 EQ AUX PRE/POST Right MONO Hi Low PFL Fader Mono Out Channels 3/4 - 5/6 AUX RETURN L AUX Return Left AUX to Meter LED Ind. Left Display (switch) and CTRL R / PHONES R LED Ind. Right AUX Return Right PFL Head Phone Channels 7/8 -
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NOTES 14
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ONE YEAR LIMITED WARRANTY Nady Systems, Inc. warrants to the original consumer purchaser that the unit is free from any defects in material or workman- ship for a period of one year from the date of original retail purchase. If any such defect is discovered within the warranty period, Nady Systems, Inc. will repair or replace the unit free of charge, subject to verification of the defect or malfunction upon return to Nady Systems. Please do not return your Nady product to the store where it wa
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SERVICE FOR YOUR NADY AUDIO PRODUCT (U.S.) Should your NADY AUDIO product require service, please contact the Nady Service Department via telephone at (510) 652-2411, or e-mail at service@nady.com. (International) For service, please contact the NADY AUDIO distributor in your country through the dealer from whom you purchased this product. DO NOT ATTEMPT TO SERVICE THIS UNIT YOURSELF AS IT CAN BE DANGEROUS AND WILL ALSO VOID THE WARRANTY. NADY SYSTEMS, INC. • 6701 SHELLMOUND STREET, EMERYVILLE,
