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E 1
ページ2に含まれる内容の要旨
Parameters in the LCD display screen “ ” About this manual Parameters displayed in the LCD screen are enclosed in double quotation marks “ ”. This “Parameter Guide” contains explanations and other Boldface type information regarding the operations of the parameters and Parameter values are printed in boldface type. settings on the TRITON STUDIO. The explanations are orga- Content that is of particular importance is also printed in
ページ3に含まれる内容の要旨
3–6: Filter2 Mod. Keyboard tracking and controller settings Table of Contents to modulate the filter 2 cutoff frequency ....................................................................21 3–7: Filter2 LFO Mod. Filter 2 LFO settings to modulate the filter 2 cutoff frequency ....................................21 3–8: Filter2 EG Filter 2 EG settings.................................
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Combination P7: Edit–Arp...............................44 2. Combination mode. . . . . . . . . 33 Make settings for arpeggiators A and B. 7–1: Setup Assign arpeggiators to each timbre .......44 7–2: Arpegg. A Select an arpeggio pattern and make settings for arpeggiator A .......................45 7–3: Arpegg. B Select an arpeggio pattern and make settings for arpeggiator B ........................4
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Sequencer P4: Zone/Ctrl................................ 66 3. Sequencer mode . . . . . . . . . .49 Specify the note range and controllers for each track. 4–1: Key Z 1–8 Specify the range of keys sounded by each track ...........................................................66 4–2: Key Z 9–16 ....................................................................66 4–3: Vel Z 1–8 Specify the range of velocities sounded by each track .............................................
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8–5: IFX 3 Parameter settings for IFX3...................122 4. Sampling mode . . . . . . . . . . . 87 8–6: IFX 4 Parameter settings for IFX4...................122 8–7: IFX 5 Parameter settings for IFX5...................122 5. Song Play mode . . . . . . . . . 123 Sampling P0: Recording ............................... 88 Make sample recording settings such as input level, and basic settings for multisamples and samples. 0–1: Recording Basic settings such as selecting a multisample and sample,
ページ7に含まれる内容の要旨
Song Play P8: Insert Effect ........................... 131 6. Global mode . . . . . . . . . . . . 135 Specify the bus for the output of each track, and make insert effect settings. 8–1: Routing 1–8 Specify the bus and the master effect send levels for the output of each track......................................................... 131 8–2: Routing 9–16 .................................................................. 131 8–3: Insert FX Select insert effects, turn them on/off, and make cha
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7. Disk mode . . . . . . . . . . . . . . 155 8. Effect Guide. . . . . . . . . . . . . 177 Files, directories, and icons ........................................................... 155 Overview................................................. 177 0–1: Load Load the selected file or directory into internal memory..................................... 156 1. Effects in each mode .....................................................................177 0–2: Save Save data from internal memory to 2.
ページ9に含まれる内容の要旨
022: St. Env. Flanger (Stereo Envelope Flanger) .............................. 199 067: Comp – Cho/Flng (Compressor – Chorus/Flanger)...................221 023: Stereo Phaser ........................................................................... 199 068: Comp – Phaser (Compressor – Phaser) ...................................222 024: St. Random Phaser (Stereo Random Phaser) .......................... 200 069: Comp – Mt. Delay (Compressor – Multitap Delay) ....................222 025: St. Env
ページ10に含まれる内容の要旨
Replacing the calendar battery..........................................................297 9. Appendices . . . . . . . . . . . . . 241 Connecting external SCSI devices................... 298 Alternate Modulation Source (AMS)................. 241 About Alternate Modulation............................................................... 241 Packet writing support on the TRITON STUDIO.... 299 About Alternate Modulation Sources................................................. 241 AMS (Alternate Modu
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ページ12に含まれる内容の要旨
1. Program mode Program Select Program P0: Play (INT-A...INT-F, EXB-A...EXB-G) 0...127, (G, g(1)...g(9), g(d)) 1...128] In this mode you can select and play programs. Here you can select a specific program. When this parameter is selected, you can select programs using the [] [] All MIDI data in Program P0: Play is transmitted and keys, numeric keys [0]–[9], or [VALUE] dial. received on the Global MIDI Channel “MIDI Channel” When you press the popup button, the “Bank/Program (Global P1: 1–1a
ページ13に含まれる内容の要旨
10’s Hold Pitch Stretch [–12...+00...+12] This simultaneously adjusts the Transpose and Tune of the 1 Press the [./10’s HOLD] key to display . oscillator. This lets you produce a variety of tonal changes The 10’s place of the program number will be held and variations without loosing the character of the original (fixed). sound. 2 Now you can press any numeric key [0]–[9] to input the At the +00 setting, the value of the program parameters will 1’s place of the program number with a single
ページ14に含まれる内容の要旨
With the factory settings, the program categories have IFX Balance [–10...0...+10] been given the names of instruments etc., but you can use This adjusts the “Wet/Dry” setting of insert effects 1–5 as a “Program Cat.” (Global P4: 4–1) to modify these category whole. names. The category selected here can be used to find With an adjustment of +00, the value of the program param- this program when selecting a program in Program, eters will be unchanged. Combination, Sequencer, or Song Play mod
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This lets you sample an external audio signal sent to buses 1, 0–3: Sampling 2, 1/2 (specified by “Input” 0–3a), or the sounds sent to the Here you can adjust the settings for the analog/digital audio INDIVIDUAL 1, 2, 1/2 buses from a performance played on signal input (AUDIO INPUT, S/P DIF, EXB-mLAN), and the the TRITON STUDIO from its keyboard or via MIDI input. settings related to sampling in Program mode. Normally when you want to sample a performance in Pro- You can sample either an ext
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Metronome Precount [Off, 4, 8, 3, 6] Sample Time [min sec] This specifies whether the metronome will sound a count- Specifies the length of time that you want to sample. This down when you begin sampling with the “Trigger” setting can be set in units of minutes and 0.001 second. Sampling START SW. This parameter indicates amount of remaining memory in This can be set only if “Trigger” is set to Sampling START the selected memory bank (the available sampling time). If SW. you sample in this stat
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The “Auto +12 dB On” setting will not affect samples that you recorded to the internal hard disk etc. when “Save to” (0–3b) is set to DISK. You can use “WAVE File Play Level” (Global P0: 0-2a) to set the playback level. 0–3: Page Menu Command 2 In “Bank,” specify the sample memory (RAM) bank to 0–1A 0–1A which the sampled data will be written. 0–3A 0–3A 3 In “Sample No.,” specify the writing-destination sample 0–3B 0–3B number. By default, this will be the lowest-numbered 0–3C 0–3D vaca
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0–3D: Select Directory Program P1: Edit–Basic This lets you select the disk (internal hard disk, etc.) and directory on which the WAVE file created by sampling will Here you can make basic settings for the program, such as be saved, and specify a filename. oscillator mode and scale type. You will also choose this “Select Directory” command when you want to listen to a WAVE file that was saved on disk. “Select Directory” can be selected when “Save to” is set to DISK. 1–1: Program Basic Specifyi
ページ19に含まれる内容の要旨
When legato is on, multiple note-on message will not retrig- octave consists of seven notes. ger the voice. If one note is already on and another note is When “Key” is set to C, use the white keys. (The black keys turned on, the oscillator sound, envelope, and LFO will not will sound the equal tempered pitches.) be reset, and only the pitch of the oscillator will be updated. Stretch: This tuning is used for acoustic pianos. This setting is effective for wind instrument sounds and User All Not
ページ20に含まれる内容の要旨
EXB*: Multisamples from EXB-PCM series option boards 1–2: OSC Basic can be selected. “*” will indicate the type of installed option. The multisample(s) (waveform) or drum kit on which the The multisample number for “High Multisample” will program will be based can be selected here for oscillator 1 depend on which EXB-PCM options have been installed. and/or oscillator 2. The EXB* display will differ depending on the type of Internal ROM contains 429 (425: ROM + 4: Piano) different option bo
