Roland Edirol RAM-4206の取扱説明書

デバイスRoland Edirol RAM-4206の取扱説明書

デバイス: Roland Edirol RAM-4206
カテゴリ: ミュージックミキサー
メーカー: Roland
サイズ: 32 MB
追加した日付: 10/20/2013
ページ数: 16
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内容要旨
ページ1に含まれる内容の要旨

Product Guide

ページ2に含まれる内容の要旨

All of the advantages of a digital mixer in a compact unit. The new EDIROL M series, delivering high-quality mixing environments.

ページ3に含まれる内容の要旨

The true role of an audio mixer is to faithfully capture sound and allow you to make it even better. The features of the EDIROL M series are aimed at fulfilling two goals: to provide intuitive operation that lets even the beginner perform serious mixing, and to provide high audio quality and full functionality to satisfy the professional. Completely digital From audio input to audio output, all processing is fully digital, with 24-bit 96 kHz support for ultra-high quality. Creating the

ページ4に含まれる内容の要旨

In order to bring out the full poten- tial of an instrument, quality is demanded of an audio mixer. It must reproduce the full range of fre- quencies from low to high without faltering, and needs dynamic range that can express everything from a subtle whisper to a powerful roar. The M-16DX/M-10DX use cutting- edge digital technology to fulfill these exacting requirements. We have also included numerous original ideas derived from Roland/ EDIROL’s years of experience in mak- ing audio

ページ5に含まれる内容の要旨

A completely new concept, 24-bit 96 kHz support for mixes of separating I/O from controls astounding realism The M-16DX is a two-piece system consisting of the Full-digital 24-bit 96 kHz processing far exceeds CD Mix controller (control desk) you use for mixing, and quality. The much greater bit depth and sampling the I/O module (connector box) to which you connect rate mean that you can apply effect processing and your mics, instruments, and recording equipment. adjust the balance withou

ページ6に含まれる内容の要旨

Are the speakers you normally listen to at home really telling you the truth? In many cases, the answer is “no.” Everybody wants to listen to music as you like it to sound. But when you’re mixing, it’s very impor- tant for monitoring to be accurate, so that you’re hear- ing the sound as it really is. By using the Room Acoustic Auto Control system built into the M- 16DX/M-10DX, you’ll be able to monitor your sound accurately simply by pressing a button. Room Acoustic Auto Control — ne

ページ7に含まれる内容の要旨

Using curves other than FLAT Three simple steps to obtaining to take advantage of the Room a flat response Acoustic Auto Control STEP1 Adjusting the compensated result to create the Set your monitor speakers to the desired playback desired response: manual adjustment volume, and then press the [ROOM ACOUSTIC AUTO Depending on the character of the room or the CONTROL] button. location in which the analysis is performed, the compensation result may not necessarily be ideal in some case

ページ8に含まれる内容の要旨

High-quality audio. Full digital processing. Sophisticated functionality. These pro- fessional specifications sought by everyone are no longer limited to advanced prac- titioners. Even if you’re using a digital mixer for the first time, you deserve to be able to control your sound intuitively and understandably. As a result of our pursuit of this goal, we’ve succeeded in joining the friendly usability of an analog mixer with the sophisticated functionality of digital processing. With their am

ページ9に含まれる内容の要旨

Graphic LCD display with superb view- Three bands of analog-like EQ for ability to support detailed sound-creation quickly getting the sound you want The M-16DX/M-10DX feature a 122 x 32 pixel backlit Each channel provides three-band EQ to adjust its sound. The high and low EQ are shelving types, that allow you to specify graphical LCD display that’s clearly visible even on a dark the frequency at which a boost or cut will occur. The mid is a stage. Even beginners will be able to easily che

ページ10に含まれる内容の要旨

Multitrack recording using your PC Home recording system The M-series is the ideal choice for home studio recording using DAW Audio player software such as SONAR. In particular, the M-16DX has a separate I/O module and Mix controller, making it easy to reconnect your mic or Audio Digital powered recorder monitor speakers instrument cables during the multi-track recording process, and letting you operate the Mix controller on an uncluttered desktop. Since there are Hi-Z jacks for conn

ページ11に含まれる内容の要旨

Recording a band in a single pass Studio recording system The M-16DX’s superb potential will shine particularly when you’re recording vocals or drums via mics in the studio. Phantom- powered channels 1–4 provide high-quality mic preamps, so you can make serious recordings with professional mics. By taking advantage of the headphone/control room, ALT, and AUX bus outputs, you can use the variety of outputs for recording or monitoring. When mic-recording vocals, guitar amp, and drums in Mon

ページ12に含まれる内容の要旨

Sub-mixer for a live stage performance Live mixing system Simple, yet multi-functional and highly mobile, the M-10DX is an ideal choice as a sub-mixer used for combining the outputs of your synthesizer, sound modules, and sequencer during a live performance. The M-10DX is also a great tool for creating unusual setups that might be difficult to manage in a live situation. For example, you can connect mics and external effect units to create processed vocals, and then send the completed sound

ページ13に含まれる内容の要旨

Expanding the inputs of your audio interface Audio player DAW recording system The M-10MX is an analog mixer that packs analog inputs and digital output into a compact body. You can use it as an input expansion tool for EDIROL’s FA and UA series of audio interfaces, or on its own as a line mixer. Operation is simple and does not A require specialized knowledge, making it a flexible solution for a variety of needs ranging from PC-less audio editing to a sub- Headphones Audio interface mix

ページ14に含まれる内容の要旨

A high-level fusion of digital audio qual- ity and analog operability A new form of digital mixer featuring a separate system. M-16DX Mix Controller M-16DX I/O Module Separate system with MIX controller and I/O module Full-digital processing at 24-bit 96 kHz quality with analog-like operability This system separates the MIX controller containing the mixing 24-bit 96 kHz processing gives you a level of audio quality that controls and the I/O module to which your instruments are will satisfy

ページ15に含まれる内容の要旨

The advantages of a digital mixer in a compact package. Rich functionality that inherits the M-16DX’s basic features An all-in-one model with excel- The M-10DX is an all-in-one digital mixer that provides the major functionality of the M-16DX, such as the Room Acoustic Auto Control function, the graphical lent mobility. LCD display, and effect processors. Versatile input jacks to meet the needs of any situation Ten input channels are provided, and Channels 1/2 have phantom-powered mic input

ページ16に含まれる内容の要旨

Specifications M-16DX M-10DX M-10MX 16 channels 10 channels 10 channels Number of Input Channels AD/DA Conversion Sample Rate: 44.1/48.0/96.0 kHz 96.0 kHz: 20 Hz to 40 kHz (+3/-3 dB), 48.0 kHz: 20 Hz to Sample Rate: 44.1/48.0/96.0 kHz, Signal Processing: 24 bits 22 kHz (+3/-3 dB), 44.1 kHz: 20 Hz to 20 kHz (+3/-3 dB) Signal Processing: 24 bits 96.0 kHz: 20 Hz to 40 kHz (+3/-3 dB), 48.0 kHz: 20 Hz to 96.0 kHz: 20 Hz to 40 kHz (+1/-2 dB), 48.0 kHz: 20 Hz to Frequency Response — 22 kHz (+3/-3 dB),


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