Nilfisk-ALTO S-6の取扱説明書

デバイスNilfisk-ALTO S-6の取扱説明書

デバイス: Nilfisk-ALTO S-6
カテゴリ: 楽器
メーカー: Nilfisk-ALTO
サイズ: 0.37 MB
追加した日付: 5/19/2013
ページ数: 18
説明書を印刷

ダウンロード

使い方は?

私たちの目的は、皆様方にデバイスNilfisk-ALTO S-6の取扱説明書に含まれたコンテンツを可能な限り早く提供することです。オンラインプレビューを使用すると、Nilfisk-ALTO S-6に関してあなたが抱えている問題に対する解決策の内容が素早く表示されます。

便宜上

説明書Nilfisk-ALTO S-6をこちらのサイトで閲覧するのに不都合がある場合は、2つの解決策があります:

  • フルスクリーン表示 – 説明書を(お使いのコンピュータにダウンロードすることなく)便利に表示させるには、フルスクリーン表示モードをご使用ください。説明書Nilfisk-ALTO S-6のフルスクリーン表示を起動するには、全画面表示ボタンを押してください。
  • コンピュータにダウンロード - Nilfisk-ALTO S-6の説明書をお使いのコンピュータにダウンロードし、ご自身のコレクションに加えることもできます。デバイス上のスペースを無駄にしたくない場合は、いつでもManualsBaseサイトでダウンロードすることもできます。
Nilfisk-ALTO S-6 取扱説明書 - Online PDF
Advertisement
« Page 1 of 18 »
Advertisement
印刷版

多くの人々は画面表示ではなく印刷された説明書を読むほうを好みます。説明書を印刷するオプションも提供されており、上記のリンクをクリックすることによりそれを利用できます - 説明書を印刷。説明書Nilfisk-ALTO S-6を全部印刷する必要はなく、選択したページだけを印刷できます。紙を節約しましょう。

要旨

次のページにある説明書Nilfisk-ALTO S-6の内容のプレビューは、以下にあります。次のページにある説明書の内容をすぐに表示したい場合は、こちらをご利用ください。

内容要旨
ページ1に含まれる内容の要旨

User's Manual
S6 6 CHANNEL MIXING CONSOLE
R
LTO
www.altoproaudio.com
Version 2.0 Dec. 2002
English

ページ2に含まれる内容の要旨

the recommended fuse type as indicated in this manual. SAFETY RELATED SYMBOLS Do not short-circuit the fuse holder. Before replacing the fuse, make sure that the product is OFF and disconnected CAUTION from the AC outlet. RISK OF ELECTRIC SHOCK DO NOT OPEN Protective Ground This symbol, wherever used, alerts you to the pre- Before turning the product ON, make sure that it is sence of un-insulated and dangerous voltages with- connected to Ground. This is to prevent the risk of in the product encl

ページ3に含まれる内容の要旨

PREFACE Dear Customer: Thank you for choosing the LTO S-6 6-Channel Mixing Console, which is the result of our LTO AUDIO TEAM's endeavours. For the LTO AUDIO TEAM, music and audio is more than a profession, it is a passion and an obsession! We have, in fact, been designing professional audio products for a number of years in cooperation with many of the world's major brands. The LTO line represents unparalleled analogue and digital products made by musicians, for musicians. With our design centr

ページ4に含まれる内容の要旨

TABLE OF CONTENTS 1. INTRODUCTION..................................................................................................................................4 2. FEATURES...........................................................................................................................................4 3. READY TO START?.............................................................................................................................4 4. CONTROL ELEMENTS...................

ページ5に含まれる内容の要旨

1. INTRODUCTION Your S-6 is a 6-channel mixer and it is the smallest among our range of mixing consoles. Although, great performances and sound quality is insured thanks to the specification of the components used and the building quality. Your S-6 is packed with features in proportion with it size: 2 Mono (these are provided with Ultra Low Noise microphone preamplifiers and Phantom Power at +48 Volts) and 2 stereo input channels are provided, and each of them is provided with a 3 bands graphic

ページ6に含まれる内容の要旨

4. CONTROL ELEMENTS STEREO AUXSENDS CONTROLROOM MIC 1 MIC 2 AUXRETURN OUTPUT R LTO S-6 6-CHANNEL MIXING CONSOLE 2 1 2 1 3 3 LEFT(MONO) PHONES LEFT RIGHT RIGHT BAL BAL OR OR BAL BAL OR OR UNBAL UNBAL UNBAL UNBAL LINE IN 3/4 LINE IN 5/6 MAIN MIX OUTPUT 2-TRACK IN/OUT LINE IN 1 LINE IN 2 L TRIM TRIM LEFT (MONO) LEFT LEFT(MONO) LEFT(MONO) R +15dB -45dB LINE +15dB -45dB LINE 0dB 60dB MIC 0dB 60dB MIC RIGHT RIGHT RIGHT TAPE IN TAPE OUT EQ EQ EQ EQ HI HI HI HI HI HI HI HI 12kHz 12kHz 12kHz 12kHz 12kHz

ページ7に含まれる内容の要旨

4.1 The MIC/LINE channels 1 These are Channel 1 and Channel 2. You can connect balanced, low impedance microphones to the XLR socket. ON the 1/4" phone jack you can connect either MIC 1 a microphone or a line level instrument. You shall never connect an unbalanced microphone to the XLR socket if you do not want to damage both the Microphone and the Mixer. 2 1 3 4.1.1 PHANTOM POWER +48 Volts It is available only on the XLR input sockets. 1 BAL BAL OR OR UNBAL UNBAL 4.2 INPUT LEVEL setting 2 LINE

ページ8に含まれる内容の要旨

4.3 The 3 BANDS EQUALISER A 3-band equaliser is provided for all input channels with a wide range of frequency adjustment. EQ 4.4.1 HI 4 HI HI 4 12kHz 12kHz This is the treble control. You can use it to get rid of high frequency -15 +15 0 noises or to boost the sound of cymbals or the high harmonics of the human voice. The gain range goes from -15dB to +15dB with a MID center frequency of 12 kHz. 5 2.5kHz -12 +12 4.4.2 MID 5 This is the midrange control. It can affect most fundamental frequ LOW

ページ9に含まれる内容の要旨

4.9 MASTER section - MAIN MIX LEVEL 11 This Control sets the amount of signal sent either to the Main Out socket or to the Tape Output. - PHONES/CONTROL ROOM 12 This Control sets the amount of signal sent to the Control Room and headphone. 16 PHANTOM PWR - LED METER 13 17 15 PHANT PHANTOM OM PWR PWR This stereo 6 segments Led Meter will indicate 18 the level of the overall output signal. -+15 AUX RETURN CLIP - 2 TRACK signal path 14 10 0 If you push down the 2TK TO CONTROL ROOM 13 -4 button, the

ページ10に含まれる内容の要旨

- MAIN MIX OUTPUT 19 This stereo output is controlled by the Main Mix 20 Level on the front panel and will send the audio signal to an amplifier. The output level can be MAIN MIX OUTPUT 2-TRACK IN/OUT varied from - to +15dB. L - 2-TRACK IN/OUT 20 LEFT Input R Use the Tape input if you wish to listen to your Mix from a Taper Recorder or DAT, You can the signal coming form the Taper Recorder RIGHT TAPE IN TAPE OUT either to a pair of studio monitor using the Control Room assignment on the front pa

ページ11に含まれる内容の要旨

4.10 REAR PANEL ON CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN MODEL WARNING: SHOCK HAZARD - DO NOT OPEN AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR OFF SERIAL POWER 18VAC~ RATED POWER CONSUMPTION: 11W 25 26 - POWER 25 This switch is used to turn the Main Power ON and OFF. - 18VAC 26 Used to connect the supplied AC Adapter. 10

ページ12に含まれる内容の要旨

5. INSTALLATION AND CONNECTION Ok, you have got to this point you are now in the position to successfully operate your S-6. However, we advise you to read carefully the following section to be the real Master of your own Mix. Not paying attention enough to the Input signal level, to the routing of the signal and the assignment of the signal will result in unwanted distortion, a corrupted signal or no sound at all. So you should follow this procedure for every single channel: - Turn down all Inpu

ページ13に含まれる内容の要旨

b. Some Final Tips on Wiring Configuration You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schematics. Ring=Right Signal Tip Sleeve Ring Strain Clamp Tip=Left Signal Sleeve=Ground/Screen Use for Headphone, Stereo Return 1/4" Stereo (TRS) Jack Plug Tip Sleeve Tip=Signal Strain Clamp Sleeve=Ground/Screen Use for Mono Line In, Mono 1/4"Jack Plugs 1/4" Mono (TS) Jack Plug 2 2 1 1 2=Hot(+) 2=Hot(+) 1=Ground/Screen 1=Ground/Screen 3 3 3=Cold(-) 3=Cold(-) Use fo

ページ14に含まれる内容の要旨

6. FOR THE EXPERTS WHO WANT TO KNOW MORE As we have told you previously in this Manual, the Aux Send Control both on Mono and stereo channels is factory wired as POST-FADER. If you have some skill in electronic components soldering you can modify this setting and have all your AUX sends configured as PRE-FADER. Aux Aux (PRE) (PRE) Solder the PRE route Disconnect POST POST the POST route Before After Modification on mono and stereo channels 13

ページ15に含まれる内容の要旨

- + 7. SYSTEM BLOCK DIAGRAMS 14 1 2 3 4 5 6 7 8 MONOINPUTCHANNELS(1-2) GAIN LO MID HI AUXSEND PHANTOM R POWER AUX T +48V S LEVEL PAN LEFT-BUS 2 AUX SEND 80 2.5K 12K 3 MICIN 1 3-BANDEQ D D +/-15db 1 RIGHT-BUS POST 2 AUX LINEIN PRE AUX-1 SG/OL 2 MAIN MIX 1 MAINOUT LEVEL R T LEFT-BUS S 2 3 1 LO MID HI MAIN MIX LEFT STEREOINPUTCHANNELS(3-6) LEVEL BALANCE R 3c R T 4d RIGHT-BUS S RN - 80 2.5K 12K 2b TN LEFT-BUS 3-BANDEQ C C 1a T +/-15dB + 2 5e S 3 1 LEFT(MONO) 3c R MAIN MIX RIGHT 4d RN - 80 2.5K12K RI

ページ16に含まれる内容の要旨

8. TECHNICAL SPECIFICATION Mono input channels Microphone input electronically balanced, discrete input configuration Frequency response 10Hz to 55kHz, +/ 3dB Distortion (THD&N) 0.005% at +4dBu, 1kHz Gain range 0dB to 60dB(MIC) SNR (Signal to Noise Ratio) 115dB Line input electronically balanced Frequency response 10Hz to 55kHz, +/ 3dB Distortion (THD&N) 0.005% at +4dBu, 1kHz Sensitivity range +15dBu to 45dBu Stereo input channels Line input balanced Frequency response 10Hz to 55kHz, 3dB +/ Dist

ページ17に含まれる内容の要旨

9. WARRANTY 1. WARRANTY REGISTRATION CARD To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty Registration Card within 10 days of the Purchase Date. All the information presented in this Warranty Registration Card gives the manufacturer a better understanding of the sales status, so as to purport a more effective and efficient after-sales warranty service. Please fill out all the information carefully and genuinely, miswriting or absence of this card will

ページ18に含まれる内容の要旨

SEIKAKU TECHNICAL GROUP LIMITED No. 1, Lane 17, Sec. 2, Han Shi W. Road, Taichung, 401 Taiwan http://www.altomobile.com Tel: 886-4-22313737 email: info@altomobile.com Fax: 886-4-22346757 All rights reserved to ALTO Mobile. Due to continued development in response to customer feedback, product features, specifications and/or internal/external design may be changed without prior notice. No photocopying, translation or reproduction of any part of this user c manual is allowed without prior written


類似の説明書
# 取扱説明書 カテゴリ ダウンロード
1 Nilfisk-ALTO AMX-120 取扱説明書 楽器 21
2 Nilfisk-ALTO DJM-3 取扱説明書 楽器 8
3 Nilfisk-ALTO GHIBLI 16 取扱説明書 楽器 13
4 Nilfisk-ALTO L-16 取扱説明書 楽器 34
5 Nilfisk-ALTO PM-6 DRAGONFLY 取扱説明書 楽器 11
6 Nilfisk-ALTO S-8 取扱説明書 楽器 5
7 Nilfisk-ALTO GHIBLI 16FX 取扱説明書 楽器 87
8 Edelbrock 17006 取扱説明書 楽器 0
9 Sony SRP-X700P 取扱説明書 楽器 17
10 Sony SDP-E300 取扱説明書 楽器 131
11 Sony SRP-X500P 取扱説明書 楽器 37
12 AC International EZ-TP 取扱説明書 楽器 3
13 Altec Lansing 1662A 取扱説明書 楽器 0
14 Akai Ewi4000s 取扱説明書 楽器 564
15 Akai UNIQUEST 4000S 取扱説明書 楽器 17