Summary of the content on the page No. 1
owners manual
V12 mixing console
Summary of the content on the page No. 2
mono input module direct output features This section is intended for use in Front of House operations to provide a controlled feed to an external tape machine. It may also be used as a localized effects send or monitor output. When the console is being used for monitor mixing operations, this output is used as a dedicated send to the Matrix section to generate custom versions of the Matrix mix for monitor use by secondary artists such as horn sections or backing vocals. DIRECT OUTPUT CONNECTOR
Summary of the content on the page No. 3
mono input module group assignment features discrete group assignment switches 1–8 Assignment of post fader signal to discrete group buses unless the pan switch is activated, in which case the signal is post pan pot. When the mode switch within the Direct Output section is depressed, the signal source disconnects from the channel’s main fader and instead obtains its signal from the set of controls located above the assignment section. pan–switch Configures the discrete bus assignment switches to
Summary of the content on the page No. 4
mono input module input features pad switch Inserts a 26dB pad into the microphone input circuit. 48-volt phantom power switch Supplies 48 Volts to the microphone input. Will not operate if Line Input is selected. line input switch Selects the line input circuitry using both the XLR and 1/4” phone jack. If a connector is plugged into the 1/4” jack,the line input signal from the XLR connector is defeated. (Note:Line input signal is NOT padded down as is common in many consoles, but rather fed in
Summary of the content on the page No. 5
mono input module EQ features high-pass filter on-switch Turn on High Pass filter circuitry. continuously-variable high-pass filter control Sweep control variable between 20Hz and 400Hz at a -18dB per octave rate. high-frequency Q-control with shelf-switch Adjust the Q of the high frequency section between 3.0 (Full Counter Clockwise) and 0.7 (Clockwise). When turned beyond the widest band- width, the control has a switched position (Full Clockwise) that puts the high frequency section into shelvin
Summary of the content on the page No. 6
mono input module aux features aux send section 9/10, 11/12, 13/14, 15/16 Four sets of dual concentric controls,each set having the following associ- ated controls: pre-fader switch Selects the source of the signal for the dual concentric pair between the normal post fader signal source to a pre fader signal source. push-on /push-off switch Inner control of dual concentric pot acts as an On/Off switch for the aux- iliary send pair of signals (odd and even) dual-color on-indicator Each dual con
Summary of the content on the page No. 7
mono input module aux features aux send section 5, 6, 7, 8 Four rotary controls, each having the following associated controls: pre-fader switch Individual switches for each aux send selects the source of the signal between the normal post fader signal source position to a pre fader signal source position. INTERNAL JUMPER - selects pre fader signals as pre or post EQ (post EQ is default) internal dip switch determines whether pre source follows channel mute or remains un-muted (follow mute is d
Summary of the content on the page No. 8
mono input module monitor features 8-segment channel meter Monitors a pre or post fader signal level as determined by a Master Global POST switch within the master section of the console. Normally, a pre fader signal is monitored. When the Global master switch is depressed,ALL channel meters switch to a post fader monitor position to prevent confusion between pre and post channel metering. The 8 seg- ments include a dynamic signal present LED indicator which varies in intensity to indicate the p
Summary of the content on the page No. 9
p. 9
Summary of the content on the page No. 10
stereo input module direct output features This section is intended for use in Front of House operations to provide a controlled feed of the modules separate left and right signals to an exter- nal tape machine. It may also be used as a localized effects send or moni- tor output. When the console is being used for monitor mix operations, this output can be used as a dedicated send to the Matrix section to gen- erate custom versions of the Matrix mix for monitor use. DIRECT OUTPUT CONNECTORS - S
Summary of the content on the page No. 11
stereo input module group assignment features discrete group assignment switches 1–8 When the mode switch within the Direct Output section is depressed,the stereo signal source disconnects from the channel’s post-fader point and instead obtains its signal from the set of stereo controls located above the assignment section. sum switch Configures the bus assignment switches to mono.The stereo signal is nor- mally assigned to the group buses with Left to odd, Right to even. mono assignment switch S
Summary of the content on the page No. 12
stereo input module input features pad switch Inserts a 26dB pad into the left and right microphone input circuit. 48-volt phantom power switch Turns 48 Volts on to the microphone inputs. Will not operate if Line Input is selected. line input switch Inserts a 26dB pad in to the input paths and disables the phantom power. ground lift switch Lifts pin 1 of XLR connectors from chassis ground (on rear panel of mod- ule). dual-concentric input gain control Individually adjusts the gain of the input
Summary of the content on the page No. 13
stereo input module EQ features high-pass filter on-switch Turn on High Pass filter circuitry. continuously-variable high-pass filter control Sweep control variable between 20Hz and 400Hz at a 18dB per octave rate. high-frequency Q-control with shelf-switch Adjust the Q of the high frequency section between 3.0 (Full Counter Clockwise) and 0.7 (Clockwise). When turned beyond the widest band- width, the control has a switched position (Full Clockwise) that puts the high frequency section into shelvi
Summary of the content on the page No. 14
stereo input module aux features aux send section 9/10, 11/12, 13/14, 15/16 Four sets of dual concentric controls,each set having the following associ- ated controls: note: Aux send 9 thru 16 are always fed as stereo: left source feeds auxes 9, 11, 13, 15 right source feed auxes 10, 12, 14, 16 this remains true for pre or post signals. pre-fader switch Selects the stereo source of the signal for the dual concentric control between the normal post fader signal source position to a pre fader sig
Summary of the content on the page No. 15
stereo input module aux features aux send section 5, 6, 7, 8 Four rotary controls, each having the following associated controls: pre-fader switch Individual switches for each aux send selects the source of the signal between the normal post fader signal or a pre fader signal. push-on/push-off switch Control pot acts as an On/Off switch for the associated auxiliary send. dual-color on-indicator Each control has a dual color LEDto indicate on/off/mute status. When the aux send is off,the LED is
Summary of the content on the page No. 16
stereo input module monitor features dual 8-segment channel meter Separately monitors a left and right pre or post fader signal level as deter- mined by a Master Global POST switch within the master section of the console. Without this switch depressed, a pre fader signal is monitored. When the Global master switch is depressed,ALL channel meters switch to a post fader monitor position to prevent confusion between pre and post channel metering. The dual 8 segment meters include separate dynamic
Summary of the content on the page No. 17
p. 17
Summary of the content on the page No. 18
group output module—matrix, aux, group mono-matrix features This section is intended for use in Front of House operations to provide a matrixed mix to dedicated locations. When the console is being used for monitor mixing operations, this section can be used as a matrixed mix to feed generic mixes to various stage locations. When teamed with an external patch from an input module’s direct output connector to the external input of the matrix module, a customized mix can be generated for supportin
Summary of the content on the page No. 19
group output module—matrix, aux, group mono-matrix features external-in signal-level to matrix Controls level of signal present on XLR input connector on each matrix module. It is this input that allows for customizing of backing artists gener- ic mixes as this input can represent an artists individual microphone input. UPPER CONTROL SECTION (Default Matrix Control) illuminated mute-switch Controls local mute function of this output section - Default is matrix channel output. This switch illumin
Summary of the content on the page No. 20
group output module—matrix, aux, group mono-matrix features insert on-switch Activates Insert return connector. Signal is always fed to balanced insert send connector. peak and signal-present LED Dual color LED monitors the pre fader signal level and pre/post fader clip levels. This dynamic green intensity indicates pre fader signal level. The LED will turn RED if the section gets within 3dB of clipping. solo switch Will illuminate when manually selected in one of the consoles many Solo modes. C
