Yamaha MG16/4 user manual

User manual for the device Yamaha MG16/4

Device: Yamaha MG16/4
Category: Musical Instrument
Manufacturer: Yamaha
Size: 6.52 MB
Added : 8/8/2013
Number of pages: 32
Print the manual

Download

How to use this site?

Our goal is to provide you with a quick access to the content of the user manual for Yamaha MG16/4. Using the online preview, you can quickly view the contents and go to the page where you will find the solution to your problem with Yamaha MG16/4.

For your convenience

If looking through the Yamaha MG16/4 user manual directly on this website is not convenient for you, there are two possible solutions:

  • Full Screen Viewing - to easily view the user manual (without downloading it to your computer), you can use full-screen viewing mode. To start viewing the user manual Yamaha MG16/4 on full screen, use the button Fullscreen.
  • Downloading to your computer - You can also download the user manual Yamaha MG16/4 to your computer and keep it in your files. However, if you do not want to take up too much of your disk space, you can always download it in the future from ManualsBase.
Yamaha MG16/4 User manual - Online PDF
Advertisement
« Page 1 of 32 »
Advertisement
Print version

Many people prefer to read the documents not on the screen, but in the printed version. The option to print the manual has also been provided, and you can use it by clicking the link above - Print the manual. You do not have to print the entire manual Yamaha MG16/4 but the selected pages only. paper.

Summaries

Below you will find previews of the content of the user manuals presented on the following pages to Yamaha MG16/4. If you want to quickly view the content of pages found on the following pages of the manual, you can use them.

Abstracts of contents
Summary of the content on the page No. 1


MG12-16_E.book Page 1 Monday, May 26, 2003 1:14 PM
MIXING CONSOLE
Owner’s Manual
MG16/4
MG12/4
Making the Most Of Your Mixer
Pages 6 to 17
E

Summary of the content on the page No. 2

MG12-16_E.book Page 2 Monday, May 26, 2003 1:14 PM Precautions —For safe operation— WARNING  If lightning begins to occur, turn off the power switch of the unit Installation as soon as possible, and unplug the power plug from the electri- cal outlet.  Connect this unit’s AC power adaptor only to an AC outlet of the  If there is a possibility of lightning, do not touch the power plug type stated in this Owner’s Manual or as marked on the unit.

Summary of the content on the page No. 3

MG12-16_E.book Page 3 Monday, May 26, 2003 1:14 PM Precautions —For correct operation — Connector pin assignments Influence on cell phone usage  XLR-type connectors are wired as follows: pin 1: ground, pin 2:  Using a cell phone (mobile telephone) near this unit may induce hot (+), and pin 3: cold (–). noise. If noise occurs, use the telephone away from the unit.  Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return. Replacing abras

Summary of the content on the page No. 4

MG12-16_E.book Page 4 Monday, May 26, 2003 1:14 PM Introduction Thank you for your purchase of the YAMAHA MG16/4 or MG12/4 mixing console. This mixing console combines ease of operation with support for multiple usage environments, and is ideal for SR setups, installed systems, and many other such applications. Please read through this Owner’s Manual carefully before beginning use, so that you will be able to take full advantage of the mixer’s superlative featu

Summary of the content on the page No. 5

MG12-16_E.book Page 5 Monday, May 26, 2003 1:14 PM Introduction Before Turning on the Mixer Turning the Power On (1) Be sure that the mixer’s power switch is in the STANDBY Press the mixer’s power switch to the ON position. When you are position. ready to turn the power off, press the power switch to the STANDBY position. Use only the PA-20 adaptor included with this mixer. Use of a different adaptor may result in equipment Note that trace current continues to flow while t

Summary of the content on the page No. 6

MG12-16_E.book Page 6 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer An Introduction You’ve got yourself a mixer and now you’re ready to use it. Just plug everything in, twiddle the controls, and away you go … right? Well, if you’ve done this before you won’t have any problems, but if this is the first time you’ve ever used a mixer you might want to read through this little tutorial and pick up a few basics that will help you get better performance and make better mixes.

Summary of the content on the page No. 7

MG12-16_E.book Page 7 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer A Place For Everything and Everything In Its Place 1 1-1. A Plethora Of Connectors—What Goes Where? Questions you’re likely to encounter when setting up a system for the first time might include “Why all these different types of connectors on the back of my mixer?” and “What’s the difference?”. Let’s start by taking a look at the most common connector types. The Venerable RCA Pin Jack This is the

Summary of the content on the page No. 8

MG12-16_E.book Page 8 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer 1-2. Balanced, Unbalanced—What’s the Difference? In a word: “noise.” The whole point of balanced lines is noise rejection, and it’s something they’re very good at. Any length of wire will act as an antenna to pick up the random electromagnetic radiation we’re constantly surrounded by: radio and TV signals as well as spurious electromagnetic noise generated by power lines, motors, electric appliance

Summary of the content on the page No. 9

MG12-16_E.book Page 9 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer 1-3. Signal Levels—Decibel Do’s and Don’ts From the moment you start dealing with things audio, you’ll have to deal with the term “decibel” and its abbreviation, “dB”. Things can get confusing because decibels are a very versatile unit of measure used to describe acoustic sound pressure levels as well as electronic signal levels. To make matters worse there are a number of variations: dBu, dBV,

Summary of the content on the page No. 10

MG12-16_E.book Page 10 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer Where Your Signal Goes Once It’s Inside the Box 2 At first glance the block diagram of even a modest mixer can look like a space-station schematic. In reality, block diagrams are a great aid in understanding how the signal flows in any mixer. Here’s a greatly simplified block diagram of a generic mixer to help you become familiar with the way these things work. 2-1. Greatly Simplified Mi

Summary of the content on the page No. 11

MG12-16_E.book Page 11 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer The First Steps in Achieving Great Sound 3 Before you even consider EQ and effects, or even the overall mix, it is important to make sure that levels are properly set for each individual source. This can’t be stressed enough—initial level setup is vitally important for achieving optimum performance from your mixer! Here’s why … and how. 3-1. The Head Amplifier “Gain” Control Is the Key! Let’s review ou

Summary of the content on the page No. 12

MG12-16_E.book Page 12 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer 3-2. Level Setup Procedure For Optimum Performance Now that we know what we have to do, how do we do it? If you take another quick look at the mixer block diagram you’ll notice that there’s a peak indicator located right after the head amplifier and EQ stages, and therein lays our answer! Although the exact procedure you use will depend on the type of mixer you use and the application, as well as your pers

Summary of the content on the page No. 13

MG12-16_E.book Page 13 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer External Effects, Monitor Mixes, and Groups 4 Pre/Post—What’s the difference? 4-1. AUX Buses For Monitor Sends and Overall Effects pre post There are a number of reasons why you might A “pre-fader” signal is taken A “post-fader” signal is want to “tap” the signal flowing through your from a point before the taken from a point after the channel fader, so the send channel fader, so its level mixer at some point b

Summary of the content on the page No. 14

MG12-16_E.book Page 14 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer 4-2. Using Groups Group buses and faders can greatly simplify the mixing process—particularly in live situations in which changes have to be made as quickly as possible. If you have a group of channels that need to be adjusted all together while maintaining their relative levels, grouping is the way to go. Simply assign the group to a group bus, and make sure that group is also assigned to the main program bus.

Summary of the content on the page No. 15

MG12-16_E.book Page 15 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer 4-3. Channel Inserts for Channel-specific Processing Another way to get the mixer’s signal outside the box is to use the channel inserts. The channel inserts are almost always located before the channel fader and, when used, actually “break” the mixer’s internal sig- nal path. Unlike the AUX sends and returns, the channel insert only applies to the corresponding chan- nel. Channel inserts are most commonly used f

Summary of the content on the page No. 16

MG12-16_E.book Page 16 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer Making Better Mixes 5 Music First—Then Mix 5-1. Approaching the Mix—Where Do You Start? In any case, the music comes first. Think about the music and let it guide the mix, rather than try- Mixing is easy, right? Just move the faders around ing to do things the other way around. What is the until it sounds right? Well, you can do it that way, music saying and what instrument or technique is but a more systematic

Summary of the content on the page No. 17

MG12-16_E.book Page 17 Monday, May 26, 2003 1:14 PM Making the Most Of Your Mixer One of the biggest problems with too much boost Spread them Out! is that it adds gain to the signal, increasing noise Position your instruments so they have room to and potentially overloading the subsequent cir- “breathe,” and connect in the most musical way cuitry. with other instruments. Sometimes, however, you’ll want to deliberately pan sounds close together, or even right on top of one another, to 5-4. Amb

Summary of the content on the page No. 18

MG12-16_E.book Page 18 Monday, May 26, 2003 1:14 PM Front & Rear Panels 1 GAIN Control Channel Control Section Adjusts the input signal level. To get the best balance between the S/N ratio and the dynamic range, adjust the level so that the peak indicator (2) comes on only at about maximum input level. Channels Channels Channels 1 to 8 (MG16/4) 9/10 and 11/12 13/14 and 15/16 The –60 to –16 scale indicates the MIC input adjustment level. 1 to 4 (MG12/4) (MG16/4) (MG16/4) The –34 to +10 scale

Summary of the content on the page No. 19

MG12-16_E.book Page 19 Monday, May 26, 2003 1:14 PM Front & Rear Panels 6 PRE Switch Selects whether the pre-fader or the post-fader signal is fed to the AUX1 bus. If you set the switch on ( ), the mixer sends the pre-fader signal (the signal prior to passage though channel fader A) to the AUX1 bus, so that AUX1 output is not affected by the fader. If you set the switch off ( ) the mixer sends the post-fader signal to the AUX1 bus. Note that this switch applies to AUX1 only. The signal to the

Summary of the content on the page No. 20

MG12-16.fm Page 20 Thursday, December 11, 2003 9:03 AM Front & Rear Panels 1 ST Master Fader Master Control Section Adjusts the signal level to the ST OUT jacks. 2 GROUP 1-2 Fader Adjusts the signal level to the GROUP OUT 1 and GROUP OUT 2 jacks. B 6 7 3 TO ST Switch If this switch is on ( ), the mixer sends the signals processed by the GROUP 1-2 fader (2) onto the Stereo bus. The Group 1 signal goes to Stereo L and the Group 2 signal goes to Stereo A R. 4 Master


Alternative user manuals
# User manual Category Download
1 Yamaha 01V96 User manual Musical Instrument 361
2 Yamaha 02R96 User manual Musical Instrument 48
3 Yamaha 2 EZ-AG User manual Musical Instrument 169
4 Yamaha 02R User manual Musical Instrument 674
5 Yamaha 1100 User manual Musical Instrument 57
6 Yamaha 303 User manual Musical Instrument 7
7 Yamaha 301 User manual Musical Instrument 17
8 Yamaha AD8 User manual Musical Instrument 0
9 Yamaha 2500390 User manual Musical Instrument 0
10 Yamaha AD824 User manual Musical Instrument 13
11 Yamaha Alto Horn, Baritone, Euphonium, Tuba, Sousaphone Alto Horn/Baritone/ Euphonium/Tuba/Sousaphone User manual Musical Instrument 29
12 Yamaha 12/4 User manual Musical Instrument 60
13 Yamaha AR-80 User manual Musical Instrument 2
14 Yamaha AW 1600 User manual Musical Instrument 69
15 Yamaha AW1600 User manual Musical Instrument 158
16 Edelbrock 17006 User manual Musical Instrument 0
17 Sony SRP-X700P User manual Musical Instrument 17
18 Sony SDP-E300 User manual Musical Instrument 131
19 Sony SRP-X500P User manual Musical Instrument 37
20 AC International EZ-TP User manual Musical Instrument 3