Mackie CR1604-VLZ user manual

Summary of the content on the page No. 1

®
14 X 2 MICRO SERIES MIC/LINE MIXER
16 X 4 X 2 MIC/LINE MIXER
on the same
plane as the
controls.
Placed in a
rack system,
the CR1604-
VLZ can be set
RELATED PRODUCTS
so that jacks are
facing front or fac- ROTOPOD-VLZ •
MIXER MIXER • REMOTE
ing the rear, keeping
FADER • CORDPACK
wandering hands
from playing with
MORE INFORMATION
You can consider our
cords. Whether used in a
CR1604-VLZ an update of
permanent installation, or
CR1604-VLZ ARCHITECTS’
our classic CR-1604, but
as a portable mixer, the

Summary of the content on the page No. 2

mic thumps, room rumble and stage mishaps are left out of the mix without diminishing the audible bass frequency range. Four buses make the CR1604-VLZ a routing giant. Channels can be assigned to buses 1-2, 3-4 and/or Main Mix, Radio frequency interfer- channel has its own and the 4 subs can be ence from TV/radio stations switchable low cut filter assigned to left and/or right and cellular phone users is (18dB/octave @ 75Hz), so main mix. A Control Room/ virtually eliminated, thanks 5.0" (127mm)

Summary of the content on the page No. 3

add up (it’s called “thermal Phones source matrix lets Each channel has a noise,” and has something you route any combination mute button, making it to do with temperatures, of tape, subs 1-2, 3-4, main easy to mute a source atoms and the like). mix or Aux 4 to headphones, when it’s not contributing Mackie decreases thermal control room outputs, and to the mix. noise by making internal meters. This enables you to Log-taper 60mm faders impedances as low as monitor 2-track tape output deliver a co

Summary of the content on the page No. 4

CR1604-VLZ Block Diagram CR/PHN R CR/PHN L LOGIC PFL SIP R SIP L AUX 6 AUX 5 AUX 4 AUX 3 AUX 2 AUX 1 SUB 4 SUB 3 SUB 2 SUB 1 MAIN R MAIN L MONO LEVEL PHANTOM POWER –20 (FLICKER) OL (FLICKER) (GLOBAL SWITCH TRIM INSERT SOLO (GLOW) MUTE (GLOW) MAIN MIX MONO OUT INSERT EQ FADER PAN ASSIGN MUTE MAIN MIX FADER R LO MID HI L MAIN MIX LEFT OUT MIC IN 75Hz 80 100–8K 12K R HPF TAPE OUT LEFT LOW CUT TAPE OUT RIGHT LINE IN 1 ASSIGN MAIN MIX RIGHT OUT 2 TO MIX GAIN FREQ C-R/ DIRECT OUT SIP L 3 PHONES (CH'S

Summary of the content on the page No. 5

CR1604-VLZ • EFX to Monitors control • BNC lamp socket and internal power supply Optional Add-Ons: • RotoPod-VLZ: Lets you configure the CR1604- VLZ so the jacks are facing up. Comes with rails for rackmounting. • MixerMixer: Combines up to three CR1604-VLZ, mixing the outputs from all connected units so they can be used as if they were one large mixer. • Remote Fader: Allows the main output level of the CR1604-VLZ and connected mixers to be controlled by one remote fader. • CordPack: 36 mono an

Summary of the content on the page No. 6

SPECIFICATIONS Headphone Impedance: Frequency Response: Maximum Output: 20Hz-60kHz, +0/–1dB, +28dBu main output bal. 20-200 ohms mic input to any output +22dBu all outputs unbal. Equalization: 20Hz-100kHz, +0/–3dB, Hi Shelving: – 15dB @ Dynamic Range: 108dB mic input to any output 12kHz Maximum Gain: Mid Sweepable: – 15dB, Total Harmonic Distortion: Channel preamp, XLR input: 100Hz–8kHz Less than 0.005% (any 60dB Lo Shelving: – 15dB @ input to any output, 1kHz Channel preamp, line input: 80Hz @