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                        SP2
PREAMP/PROCESSOR
OWNER’S MANUAL                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 
                    
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                        IMPORTANT SAFETY INSTRUCTIONS The lightning flash with arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of un-insulated  “dangerous voltage “ within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to  persons.    The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance  (servicing) instructions in the literature accompan
                    
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                        TABLE OF CONTENTS: 	 1.	Safety	Instructions	&	Warranty .  .  .  .  .  .  .  .  . 1  .  .  . 	 2.	Contact	information 	.	 .	 .	 .	 .	 .	 .	 .	 .	 .	 .	 .	 .	 .	 .	 .	 .	 . 2 	 3.	Introduction,	Accessories	and	Power 	.	 .	 .	 .	 .	 .	 .	 .	 . 3 	 4.	Front	Panel	Controls	and	Indicators .  .  .  .  .  .  . 4~6  . 	  	 	 a.	 Using .the .Dynamic .Range .Control .  .  .  .  .  .  .  . 4  .  . 	 5.	Rear	PanelInput 	 and 	 	Output	Connections  .  .  . 7~8 .  	 	 a.	 Setting .the .Optical .Input .Assign .
                    
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                         . • . 7 . 1 .decoding .from .2 .channel .source .in .DTS . INTRODUCTION Neo-6 .Music .& .Cinema .modes Congratulations .on .your .purchase .of .the .Bryston .  . • . 7 . 1 .surround .effects .decoding .from .2 .channel . SP2 .pre-amplifier/processor  .This .product .will .pro- digital .sources vide .you .with .the .finest .available .signal .control .and .  . • . 7 . 1 .Surround .effects .decoding .from .2 .channel . DSP .audio .processing .available  .Like .all .Bryston . analog .sources produ
                    
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                        SP2 PREAMP/PROCESSOR SP2 FRONT PANEL CONTROLS & INDICATORS 	 1:	 POWER	SWITCH	(momentary) 11:	 	 MONO 	 & 	 MONO 	 DOWNMIX 	 MODE 	 Switch 	 	&Indicator 	 	 2:	 STANDBY	&	INFRA-REDACTIVITY 	 INDICA 	 TOR 12: 	 		THX	Button	&Indicator 	 	 3:	 INFRA-REDRECIEVER 	 	(sensor) 13:	 	 MODE	Button& 	 	Indicator 	 4:	 DYNAMICRANGE 	 CONTROL 	 14:	 	 BYPASS	 Button	&	Indicator 	 5:	 ALPHA-NUMERICDISPLA 	 Y 15:	 	 ANALOG	BALANCEControl 	 	 6:	 MENU	CONTROL	Buttons 16:	 	 MASTER	VOLUME	Control 	 7:	 SOURCE	
                    
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                        operation .mode .for .that .source  .  . .To .defeat .this .auto-digital .detect .mode .you . must .press .the .button .again  .If .you .do .the .LED .will . go .OFF  .  . .When .this .mode .of .operation .is .selected .the .  6: MENU CONTROL BUTTONS SP2 .will .look .at .ONLY .its .analog .inputs  .If .a .digital . These .three .buttons .labeled .“ ”, .“ ”, . signal .does .appear .the .SP2 .will .NOT .recognize .it . and .“SEL” .(SELECT) .are .used .to .con- and .will .remain .in .its .analog 
                    
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                        SP2 PREAMP/PROCESSOR resents .different .mixing .coefficients .for .the .centre . 	 	 	  .Church . . . and .surround .channel .signals  . These .will .be .detected .by .the .SP2 .and .used .to .pro- You .can .select .a .Surround .Mode .for .the .Surround . duce .the .downmix .if .this .mode .is .selected or .THX .listening .modes .at .any .time, .even .if .the . effect .is .not .immediately .active .(such .as .the .case . when .a .5 1 .channel .bitstream .is .present)  .Two .  12: “THX” BUTTON 
                    
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                         .2  .Mo . .ve .the .cursor .to .the .Optical .Input .(OPT1 .or . CONNECTIONS OPT2) .you .want .to .change .the .input .assign-  1: BALANCED OUTPUTS ment .for  .Hit .‘Select’  . (see figure below)  2: UNBALANCED OUTPUTS The .SP2 .offers .both .balanced .(5 1) .and .unbalanced . (7 1) .outputs .for .power .amplifiers .or .powered .    loudspeaker .systems  .The .type .you .select .to .use . will .be .determined .by .the .input .configuration .of . 	 3  .Now . .you .can .assign .the .optical .inpu
                    
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                        SP2 PREAMP/PROCESSOR REAR PANEL INPUT & OUTPUT CONNECTIONS 	 1:	 BALANCED		OUTPUTS 	 8:	 AUXILLIARYINFRA-RED 	 RECEIVER 	 	 2:	 UNBALANCED	INPUTS 	 9:	 RS-232SERIAL 	 D 	 ATA	CONNECTOR 	 3:	 ANALOG	INPUTS 10:	 	 	IEC	POWERCONNECT 	 OR 	 4:	 DIGITAL	AUDIO	COAXIAL	INPUTS 11:	 	 	FUSES 	 5:	 TOSLINK	DIGITALAUDIO 	 OPTICAL 	 INPUTS 	 12: 	 		MASTER	POWERSWIT 	 CH 	 6:	 TAPE/RECORDING	OUTPUTS 13:	 SPV		VIIDEOSWIT 	 CHER	SERIAL	DATA	PORT 	 7:	 REMOTE12V 	 TRIGGER 	 	OUTPUTS SP2  .It .is .normally .lef
                    
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                        SP2 Remote Control continued... is .available .for .playback .of .DTS .encoded .motion . picture .soundtracks .from .DVD .or .LD .sources  .Each . mode .has .an .optimized .bass .management .setting .  1: SOURCE SELECT BUTTONS in .accordance .with .the .DTS .program .material  . These .buttons .are .used .to .select .the .desired . source  .TV/SAT, .DVD, .CD, .AUX, .VCR, .and .TAPE .  10: DOLBY BUTTON  function .exactly .like .their .corresponding .buttons .on . Pressing .this .button .will .eng
                    
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                        SP2 PREAMP/PROCESSOR Works .in .conjunction .with .the .backlight .and .tilt . may .have .one ) . switch .to .determine .if .backlighting .is .needed   . To .enable .or .disable .the .backlight .in .the .remote . IMPORTANT: .When .using .the .Pink .Noise .genera- control, .follow .this .procedure: . tor .within .the .SP2 .for .speaker .level .calibration, .the .  . . 1  .Press . .CODE .button .for .5 .seconds . salient .point .is .that .all .channels .measure .equal .dB  .  . . 2  .LED . .will .
                    
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                        any .system .which .you .expect .to .effectively .handle . the .low .frequency .dynamics .of .modern .motion . picture .soundtrack .sources .such .as .DVD .or .HDTV . feeds, .and .many .other .discrete .multi-channel .pro- gramming .sources  .If .in .any .doubt .choose .small, .  . . especially .if .you .are .using .a .subwoofer, .since .this .  .2: . Next . .move .the .cursor .to .“SP”  .Hit .‘SELECT’ .- . will .insure .that .all .the .appropriate .low .frequency . You .are .now .in .the .Speak
                    
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                        SP2 PREAMP/PROCESSOR overall .delay  .When .using .the .remote .control . to .enter .these .selections, .press .the .“SAVE” . button .before .exiting .or .settings .will .be .lost  	 	 CALIBRATING AND SETTING LEVELS/CHANNEL  	 4 : . Once . .you .have .selected .the .desired .crossover . frequency, .press .SELECT .to .exit .this .menu .and . TO CHANNEL BALANCE.  return .to .the .Speaker .Config .menu  .The .select-  .1: . P . osition .the .Sound .Level .Meter .at .the .Centre . ed .frequencies .a
                    
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                         .2: . Next . .move .the .cursor .to .“LVL”  . . Hit .‘SELECT’ .- . menu .to .make .further .adjustments .if .needed  . You .are .now .in .the .Level .Trim .Menu  .  .3: . Mo . ve .the .cursor .to .the .speaker(s) .you .want . SETTING THE BPLM ITHOUT w PINK NOISE  to .change .the .level .for .using .the .arrow .keys . To .adjust .the .BPLM .setting .without .running .the . (L, .C, .R, .RS, .LS, .RB, .LB, .SUB)  .Hit .‘SELECT’  . Noise .routine, .Enter .the .BPLM .as .above, .but .when . Now .you
                    
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                        SP2 PREAMP/PROCESSOR 	 ● .ON: . D .TS-ES .Matrix .will .be .forced .on . CHANGING DOLBY PLII MUSIC SETTINGS  for .all .DTS .5 1 .channel .input .bit- Dolby .Pro .Logic .II .is .the .next .generation .in .Dolby . streams, .if .the .back .channels .are . Surround .decoding  .It .is .designed .specifically . enabled  to .decode .all .existing .Dolby .Surround .programs .  . ● .AUTO: . D .TS-ES .Matrix .will .be .decode .if .the . and .provide .improved .spatiality .and .directional- incoming .DTS .
                    
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                         .3: .Panorama . .Mode .extends .the .front .stereo . subtracted .from .the .left .and .right .channels  . image .to .include .the .surround .speakers .for .an . . . “Center .Image” .is .the .factor .controlling .the . exciting .“wrap .around” .effect .with .side .wall . amount .of .subtraction  .It .varies .between .0 .and .0 5 . imaging in .steps .of .0 1 .and .the .default .value .is .0 2  .  . PLII .Music .also .applies .a .mild .high-frequency .shelf . . . When .Center .Image .= .0, .the .f
                    
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                        SP2 PREAMP/PROCESSOR ers  . was .being .performed  . Surround .Modes: . PARTY: .The .Party .(Five-Channel .Mono) .Mode .con- verts .stereo .input .to .a .mono .signal .which .is .then . HALL: .This .Sound .Field .Mode .emulates .a .medium . distributed .to .the .five .satellite .channels  . or .large .concert .hall  .It .provides .a .longer .reverber- ation .time .than .other .modes .and .gives .the .effect . Stereo5: .The .Stereo5 .(Five-Channel .Stereo) .Mode . that .music .is .heard .at .a .g
                    
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                        APPENDIX B: SP2 SPECIFICATIONS INFRA-RED REMOTE CODES INPUTS Power OFF . . . . . . . . . . . .000 CLUB. . . . . . . . . . . . . . . .075 Analog AudIo: Six stereo (RCA) pairs, One 5.1 channel (RCA) input  TV/SAT ............................001 THEATRE . . . . . . . . . . . . .076   Digital:    4 coaxial (RCA) 75 Ohms, 2 Optical (TOSLINK?), conforms to  DVD .................................002 NATURAL. . . . . . . . . . . . .077 SPDIF standard.  CD ...................................003  Pro versi
                    
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                        SP2 PREAMP/PROCESSOR 18                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             
                    
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                        SUGGESTED SURROUND SPEAKER PLACEMENT SP2_MANUAL_20060324 . . . . . STP/ 19