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Contents Contents Program Edit P3 -------------------- 45 1. Introduction --------------------- 1 3–1: Mixer -------------------------- 45 Features of MOSS-TRI ----------------- 1 3–2: Filter 1 ------------------------- 47 3–3: Filter 1 SUB ------------------ 50 2. Bank M Program Structure -- 2 3–4: Filter 2 ------------------------- 52 Program structure------------------------ 2 3–5: Filter 2SUB ------------------- 52 Editing -------------------------------------- 3 Program Edit P4 ------------
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Introduction INTRODUCTION 1. Introduction Thank you for purchasing the MOSS-TRI DSP Synthesizer Option. To ensure long and trouble-free enjoyment, please read this user’s guide carefully and use the product correctly. Before you use this product, be sure to read the “Safety precautions” found at the beginning of the Parameter Guide. This guide explains the bank M parameters which are added when the MOSS-TRI DSP Synthesizer Option is installed (pre-installed in the Trinity V3 series). For details
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Bank M Program Structure 2. Bank M program structure Program structure Each program of bank M has the following structure. OSC Section Mixer Section Filter Section AMP Section FX Section Oscillator 1 3 Master Filter 1 4 Oscillator 2 Amp1 Effect LPF/HPF/BPF/BRF/2BPF Insert 1/L/Mono EQ Mixer Pan Sub Oscillator Effect 2/R Filter 2 Amp2 LPF/HPF/BPF/BRF/2BPF Noise Generator Feedback EG1 EG2 EG3 EG4 Amp.EG Joy Stick, Ribbon Controller & other controllers LFO1 LFO2 LFO3 LFO4 Oscillator section This
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Program Structure Bank M Program Structure Filter section This section modifies the waveform by attenuating or emphasizing specific portions of the frequency spectrum. It contains two multi-mode filters. Each filter can be set to one of the following types: low pass filter, high pass filter, band pass filter, band reject filter, or dual band pass filter. This lets you modify the brightness of the sound. You can also select the way in which the two filters will be connected with the mixer section
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Bank M Program Structure Characteristics of each oscillator For bank M sounds, OSC 1 provides thirteen oscillator types (methods of sound generation) and OSC 2 provides nine types. In Program Edit P1 “1-2: OSC Basic” you can select one of these types for each oscillator, to specify the combination. If OSC 1 is set to an oscillator type of 01:Standard to 09:Electric Piano Model, you will also be able to select an oscillator type of 01:Standard to 09:Electric Piano Model for OSC 2. If OSC 1 is set
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Parameters 1-1: Prog Play 3. Parameters This section explains the bank M parameters which are added when the MOSS-TRI DSP Synthesizer Option is installed (pre-installed in the Trinity V3 series). For details on parameters other than bank M, refer to your Parameter Guide, Basic Guide, and Effect Guide. Program Play Mode Program Play P1 1–1: Program Play Here, you can select programs and perform simple editing. For details on the parameters, refer to page 1 of your Parameter Guide: “1. Program Pla
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1-1: Prog Basic Program Edit Mode The Write Program item in the page menu commands of each page lets you write an edited program to the program number you specify. Be sure to write an edited program that you wish to keep. If you turn off the power or select another program before you write, the edited program cannot be recovered. For details refer to Basic Guide page 23, “9. Writing a program or combination”. Program Edit P1 Here you can make basic settings for the program, and basic settings fo
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Parameters 1-1: Prog Basic 1–1c: Assign/Hold Here, you can specify how notes will sound when keys are pressed. Voice Assign [Mono (Multi), Mono (Single), Poly] Selects whether the sound will be played monophonically or polyphonically. Mono (Multi): Multi-triggered monophonic playing. Mono (Single): Single-triggered monophonic playing Poly: Polyphonic playing When Poly is selected, the Retrigger Control and Threshold parameters will be unavailable. Priority [Last, Low, High] Specifies the priorit
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1-1: Prog Basic 1–1e: Scale Specifies the scale type Type (Scale Type) [Equal Temperament…All Range User Scale] Selects the basic scale for the internal tone generator. The user scales can be specified in Global mode “3-1: User Scale” ( page 127 in Parameter Guide). Equal Temperament The most widely used scale, consisting of equally-spaced semitone steps. Pure Major The major chords of the selected key will be perfectly in tune. Pure Minor The minor chords of the selected key will be perfectly
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Parameters 1-1: Prog Basic 1–1f: Panel Switch Assign These parameters assign the function of the front panel SW1 and SW2 switches (assignable panel switches 1 and 2). SW1 AMSource [JS(X) Lock…Modulation (CC#80)] AMSource SW2 [JS(X) Lock…Modulation (CC#81)] The functions which can be assigned to SW1 and SW2 are the same (except for Modulation), and are as follows: JS(X) Lock, JS(+Y) Lock, JS(–Y) Lock, Ribbon(X) Lock, Ribbon(Z) Lock, After Touch Lock, JS & Ribbon Lock Each time you press SW1 (or S
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1-2: OSC Basic 1–2: OSC Basic 1–2a 1–2b 1–2c 1–2d 1–2a: Multi Oscillator Synthesis Setup Here, you can make settings for the oscillator. The parameters that are set in “2-1: OSC 1” and “2-2: OSC 2” will differ depending on the oscillator type that is selected here. OSC 1 (Oscillator 1 Type) [01: Standard…13: Bowed String Model] Selects the oscillator type for oscillator 1. 01: Standard 02: Comb Filter 03: VPM (Variable Phase Modulation OSC) 04: Resonance 05: Ring Modulation 06: Cross Modulation
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Parameters 1-2: OSC Basic 1–2c: Bending Specifies the width of pitch change that will occur when the joystick is moved to left and right. JS(+X) (Joystick Intensity +X) [–60…+24] Specifies the amount and direction of pitch change (in semitone units) that will occur when the joystick is moved to the right. With positive (+) settings the pitch will rise, and with negative (-) settings the pitch will fall. A setting of 12 will produce one octave of change. Step (Joystick Step +X) [Continuous, 1/8,
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1-3: OSC 1 Pitch 1–3: OSC 1 Pitch Here, you can make settings for the basic pitch of oscillator 1, pitch modulation, and pitch slope. 1–3a 1–3b 1–3c 1–3a: Basic Pitch Specifies the basic pitch of oscillator 1 Octave [32'…4'] Specifies the basic pitch of oscillator 1 in steps of an octave. 32' is two octaves below, 16' is one octave below, 8' is standard pitch, and 4' is one octave above. Transpose [–12…+12] Adjusts the basic pitch specified by “Octave” in semitone steps. Tune [–50…+50] Makes fin
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Parameters 1-3: Osc1 Pitch, 1-4: OSC2 Pitch, 1-5: Sub Pitch AMS.2 (Alternate Modulation Source 2) [OFF…MIDI (CC#83)] Selects a modulation source 2 ( page 64 of this manual) which will modify the pitch (e.g., apply vibrato). Intensity (Pitch AMS.2 Intensity) [–99…+99] Specifies the depth and direction of the pitch change that will be controlled by “AMS.2.” 1–3c: Pitch Slope Specifies how pitch will change in relation to the keyboard (key) Center Key [C–1…G9] Specifies the key at which Lower/Hig
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2:1 OSC 1 (01: Standard) Program Edit P2 Here, you can make settings for each oscillator type. The oscillator type is specified in “1-2a: Multi Oscillator Synthesis Setup” of “1-2: OSC Basic.” The display pages that appear will depend on the selected oscillator type. 2–1: OSC 01: Standard This oscillator produces the waveforms used by an analog synthesizer (sawtooth wave, pulse wave, triangle wave) and sine wave. Sawtooth wave, pulse wave and triangle wave waveforms can be modified using wavefo
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Parameters 2:1 OSC 1 (01: Standard) 2–1a: Wave Main Wave [Saw, Pulse] Selects the main waveform. Select either Saw (sawtooth wave) or Pulse (pulse wave). Level [0…99] Specifies the output level of the main waveform. Wave Edge [0…99] Adjusts the amount of high-range overtones for the main waveform. As the pitch rises, this effect will become stronger, and in the low range there will be little effect. Lower settings of this parameter will produce a more mellow sound, and in the vicinity of 0 the v
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2:1 OSC 1 (01: Standard) Type (Wave Shape Table Type) [Clip/Reso] Use the radio buttons to select the wave shaping table which will modify the input waveform. Clip (clip type) and Reso (resonant type) tables will modify the waveform as shown by the diagrams in Shape, below. Offset (Wave Shape Offset) [–99…+99] Specifies an offset amount that will be added to the signal specified by “Input.” Example of when Offset is modified (Table Type: Clip) Output level Output waveform Offset=50 Offset=0 Offs
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Parameters 2:1 OSC 1 (02: Comb Filter) 02: Comb Filter In this oscillator, the signal from the other oscillator waveform or the noise generator is sent through a comb filter, and the feedback level of the comb filter is varied in order to produce tonal change. When noise is input, raising the feedback of the comb filter will gradually change the sound into a pitched tone. Comb Oscillator Noise Level Input Level Mod.Source/Intensity Noise Comb Filter OSC1/2 or Sub OSC Filter1 out Input Wave Dela
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2:1 OSC 1 (02: Comb Filter) Level (Input Wave Level) [0…99] Specifies the volume level of the signal that will be input to the comb filter. Noise Level [0…99] This parameter will be available only if “Input” has been set to OSC2(1)+Noise, SubOSC+Noise, Filter1+Noise or Filter2+Noise. It specifies the volume level of the noise generator output which will be input to the comb filter. Pulse Width [0…99] This parameter will be available only if “Input” has been set to Pulse Noise or Impluse. It spec
