Instrukcja obsługi Yamaha EMX512SC

Instrukcja obsługi dla urządzenia Yamaha EMX512SC

Urządzenie: Yamaha EMX512SC
Kategoria: Instrument muzyczny
Producent: Yamaha
Rozmiar: 3.17 MB
Data dodania: 7/28/2013
Liczba stron: 36
Drukuj instrukcję

Pobierz

Jak korzystać?

Naszym celem jest zapewnienie Ci jak najszybszego dostępu do treści zawartych w instrukcji obsługi urządzenia Yamaha EMX512SC. Korzystając z podglądu online możesz szybko przejrzeć spis treści i przejść do strony, na której znajdziesz rozwiązanie swojego problemu z Yamaha EMX512SC.

Dla Twojej wygody

Jeżeli przeglądanie instrukcji Yamaha EMX512SC bezpośrednio na tej stornie nie jest dla Ciebie wygodne, możesz skorzystać z dwóch możliwych rozwiązań:

  • Przeglądanie pełnoekranowe - Aby wygodnie przeglądać instrukcję (bez pobierania jej na komputer) możesz wykorzystać tryp przeglądania pełnoekranowego. Aby uruchomić przeglądanie instrukcji Yamaha EMX512SC na pełnym ekranie, użyj przycisku Pełny ekran.
  • Pobranie na komputer - Możesz również pobrać instrukcję Yamaha EMX512SC na swój komputer i zachować ją w swoich zbiorach. Jeżeli nie chcesz jednak marnować miejsca na swoim urządzeniu, zawsze możesz pobrać ją w przyszłości z ManualsBase.
Yamaha EMX512SC Instrukcja obsługi - Online PDF
Advertisement
« Page 1 of 36 »
Advertisement
Wersja drukowana

Wiele osób woli czytać dokumenty nie na ekranie, lecz w wersji drukowanej. Opcja wydruku instrukcji również została przewidziana i możesz z niej skorzystać klikając w link znajdujący się powyżej - Drukuj instrukcję. Nie musisz drukować całej instrukcji Yamaha EMX512SC a jedynie wybrane strony. Szanuj papier.

Streszczenia

Poniżej znajdziesz zajawki treści znajdujących się na kolejnych stronach instrukcji do Yamaha EMX512SC. Jeżeli chcesz szybko przejrzeć zawartość stron znajdujących się na kolejnych strinach instrukcji, możesz z nich skorzystać.

Streszczenia treści
Streszczenie treści zawartej na stronie nr. 1

POWERED MIXER
POWERED MIXER
Owner’s Manual
Owner’s Manual
Quick Guide
Pages 6 to 12
Making the Most of Your Mixer
Pages 13 to 19
EN

Streszczenie treści zawartej na stronie nr. 2

Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert CAUTION the user to the presence of uninsulated RISK OF ELECTRIC SHOCK “dangerous voltage” within the product’s DO NOT OPEN enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral CAUTION: TO REDUCE THE RISK OF triangle is intended to alert the user to the ELECTRIC SHOCK, DO NOT RE

Streszczenie treści zawartej na stronie nr. 3

PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord Water warning • Only use the voltage specified as correct for the device. The required voltage is • Do no

Streszczenie treści zawartej na stronie nr. 4

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Use only Neutrik plugs (NL4) for connecting Speakon connectors. Yamaha cannot be held responsible for damage caused by improper use or modifications to the device. Always turn the power off when the device is not in use. The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualified Yamaha service perso

Streszczenie treści zawartej na stronie nr. 5

Thank you for your purchase of this Yamaha EMX512SC, EMX312SC, or EMX212S power mixer. Please read through this manual carefully before beginning use, so that you will be able to take full advantage of your mixer’s superlative features and enjoy trouble-free operation for years to come. After reading the manual, please store it in a safe place. Contents Features Input Channels.....................................page 20 ■ Basic The EMX offers four monoaural mic/line input channels (1 Quick Guide

Streszczenie treści zawartej na stronie nr. 6

BASIC Quick Guide Before Turning On the Mixer ■ Connecting to Power 1 Be sure that the POWER switch is in the OFF position. 2 Connect the included power cord to the AC IN connector on the rear panel. 3 Plug the power cord into a standard power outlet. ■ Turning the Unit On and Off NOTE • To prevent an unpleasant burst of noise from the speakers, you should power up the sound sources first, and then the other devices in order of their distance from the source (starting with the closest). For exa

Streszczenie treści zawartej na stronie nr. 7

BASIC Quick Guide Getting Sound to the Speakers We begin by connecting up two speakers and generating some stereo output. Note that operations and procedures will vary somewhat according to the input devices you are using. 5 1 3 2,8 2,7,9 4 6 1 1 Connect up the speakers and your input devices (microphones, instruments, etc.) Before connecting input Use non-powered speakers and dedicated speaker cable. Connect one speaker devices to the EMX, be sure to SPEAKERS jack A (A1 or A2), and the o

Streszczenie treści zawartej na stronie nr. 8

BASIC Quick Guide 2 Turn the LEVEL knobs and the MASTER knobs to 0. This position This position 3 Set the POWER AMP switch to its upper position (to MAIN L-R). For information about this switch, see page 25. EMX512SC/EMX312SC/EMX212S 8

Streszczenie treści zawartej na stronie nr. 9

BASIC Quick Guide 4 If you have connected input devices to channels 1 to 4, set the LINE/MIC switch on each channel accordingly. If you have connected a line-level device, such as a keyboard or audio device, set the channel’s switch to the LINE position ( ). If you have connected a microphone or other mic-level device, set the switch to the MIC position ( ). 5 If you are using one or more condenser microphones for your inputs, set the PHANTOM switch to the ON position (). • Be sure to

Streszczenie treści zawartej na stronie nr. 10

BASIC Quick Guide 7 Turn the MASTER knob in the MAIN section to the posi- tion. This position 8 Adjust the LEVEL knobs for all occupied channels. For each input device you have connected: Generate sound from the device while adjusting the corresponding channel’s LEVEL knob. Adjust so that the LEVEL meter occasionally reaches the “0” level. 9 Now turn the MASTER knob in the MAIN section again as necessary to adjust the overall output level. It is acceptable for the LIMITER lamps to flash on

Streszczenie treści zawartej na stronie nr. 11

BASIC Quick Guide Adding Some Reverb Now let’s try adding some reverb to your input. The reverb effects let you simulate the sound of different performance environ- ments—such as concert halls and small clubs. 2 3 4 1 1 Turn the ON switch to it’s ON position. This switch turns the internal effector on and off. The lamp lights up orange to indicate that the effector is on. As an alternative to the ON switch, you can use a separately sold FC5 foot switch to toggle the effector on and off. 2 Tur

Streszczenie treści zawartej na stronie nr. 12

BASIC Quick Guide 4 Use the MAIN section’s EFFECT RTN knob to adjust the overall effect depth. Note that you can use the PARAMETER knob to adjust the characteristic sound of the selected effect. If you have selected a reverb effect, the knob will adjust the reverb time. Using the Compressors to Enhance Vocals (EMX512SC and EMX312SC only) The compressor evens out the input level, reducing the level of loud passages and bringing up softer passages. The result is a cleaner sound where nuances re

Streszczenie treści zawartej na stronie nr. 13

BASIC Making the Most of Your Mixer An Introduction You’ve got yourself a mixer and now you’re ready to use it. Just plug everything in, twiddle the controls, and away you go … right? Well, if you’ve done this before you won’t have any problems, but if this is the first time you’ve ever used a mixer you might want to read through this little tutorial and pick up a few basics that will help you get better performance and make better mixes. This is the “consumer connector,” designed t

Streszczenie treści zawartej na stronie nr. 14

BASIC Making the Most of Your Mixer type connectors will also handle Balanced noise cancellation unbalanced signals with no Noise problem. Microphone cables usually have this type of connector, as do the inputs and outputs of most professional Hot (+) audio gear. Noise-free signal Cold (–) Balanced, Phase Unbalanced—What’s Ground inversion Noise cancelled the Difference? Source Cable Receiving device In a word: “noise.” The whole point of balanced lines is noise rejection, and it’s som

Streszczenie treści zawartej na stronie nr. 15

BASIC Making the Most of Your Mixer way, but a more systematic Unbalanced noise approach that is suited to the Noise material you’re mixing will produce much better results, and faster. There are no rules, and you’ll probably end up developing a system that works best for you. But the key is to develop a system rather than working haphazardly. Here are a few ideas to get you started: Source Cable Receiving device Faders Down It might sound overly simple, but it is usually a good idea

Streszczenie treści zawartej na stronie nr. 16

BASIC Making the Most of Your Mixer If so you might want to build the The fundamental and harmonic frequency ranges of some mix around the vocals. This musical instruments. Cymbal means bringing the vocal channel up to nominal first (if your level Piano setup procedure has been done Bass Drum properly this will be a good Snare Drum starting point), and then adding Bass the other instruments. What you Guitar add next will Trombone depend on Trumpet the type of material you 20 50 10

Streszczenie treści zawartej na stronie nr. 17

Signal Level (dB) BASIC Making the Most of Your Mixer has an incredibly powerful low MID Flat MID Boost end that can benefit from a bit of low-frequency roll-off to let other HIGH Boost LOW Boost instruments—notably drums and bass—do their jobs more effectively. Naturally you won’t want to do this if the piano is LOW Flat HIGH Flat playing solo. The reverse applies to kick drums and bass guitars: you can often roll off the high end to create more space in the mix without LOW Cut HIG

Streszczenie treści zawartej na stronie nr. 18

BASIC Making the Most of Your Mixer the way down, then gradually signal, results in a harmonically be used within a mix to make a bring the reverb into the mix until rich swirling or swishing sound. voice or instrument seem to come you can just hear the difference. The difference between chorus forward, or simply to even out Any more than this normally and flanging effects is primarily in level differences. Compression becomes a “special effect.” You the amount of delay time and can be used

Streszczenie treści zawartej na stronie nr. 19

BASIC Making the Most of Your Mixer worry about a confusing multitude of settings. A common example of the use of compression is to “tame” a vocal that has a wide dynamic range in order to tighten up the mix. With the right amount of compression you’ll be able to clearly hear whispered passages while passionate shouts are still well balanced in the mix. Compression can also be valuable on bass guitar, producing a smooth bass sound that stays solid through the tune. Compression can

Streszczenie treści zawartej na stronie nr. 20

Controls and Connectors Controls and Connectors Controls on Each Channel 1 FCL (Feedback Channel Locating) lamp This lamp is used during setup to identify any channel Channels Channels Channels 1 to 4 5/6 and 7/8 9/10 and 11/12 that might be howling. Check these lamps when setting (Monaural) (Stereo) (Stereo) up for a performance. If the lamp lights up, adjust the channels equalizer 2 or level knob 5 to reduce the level so that the lamp goes off. 1 1 1 NOTE Input of a continuous sound (as from a


Podobne instrukcje
# Instrukcja obsługi Kategoria Pobierz
1 Yamaha 01V96 Instrukcja obsługi Instrument muzyczny 361
2 Yamaha 02R96 Instrukcja obsługi Instrument muzyczny 48
3 Yamaha 2 EZ-AG Instrukcja obsługi Instrument muzyczny 169
4 Yamaha 02R Instrukcja obsługi Instrument muzyczny 674
5 Yamaha 1100 Instrukcja obsługi Instrument muzyczny 57
6 Yamaha 303 Instrukcja obsługi Instrument muzyczny 7
7 Yamaha 301 Instrukcja obsługi Instrument muzyczny 17
8 Yamaha AD8 Instrukcja obsługi Instrument muzyczny 0
9 Yamaha 2500390 Instrukcja obsługi Instrument muzyczny 0
10 Yamaha AD824 Instrukcja obsługi Instrument muzyczny 13
11 Yamaha Alto Horn, Baritone, Euphonium, Tuba, Sousaphone Alto Horn/Baritone/ Euphonium/Tuba/Sousaphone Instrukcja obsługi Instrument muzyczny 29
12 Yamaha 12/4 Instrukcja obsługi Instrument muzyczny 60
13 Yamaha AR-80 Instrukcja obsługi Instrument muzyczny 2
14 Yamaha AW 1600 Instrukcja obsługi Instrument muzyczny 69
15 Yamaha AW1600 Instrukcja obsługi Instrument muzyczny 158
16 Edelbrock 17006 Instrukcja obsługi Instrument muzyczny 0
17 Sony SRP-X700P Instrukcja obsługi Instrument muzyczny 17
18 Sony SDP-E300 Instrukcja obsługi Instrument muzyczny 131
19 Sony SRP-X500P Instrukcja obsługi Instrument muzyczny 37
20 AC International EZ-TP Instrukcja obsługi Instrument muzyczny 3