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USER GUIDE
JERRY DOUGLAS SIGNATURE SERIES
®
AURA IMAGING PEDAL
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Quick start Power – Install a 9V alkaline or lithium battery (not included). Set the controls – Volume at minimum, select at #1 and blend at its mid-point. Plug in – Use standard ¼-inch shielded instrument cables. Place any other pedals after the Aura. Set trim – Play hard and adjust input trim (right side) so clip/batt LED fl ashes occasionally. Select an Image – Raise the volume and audition the 16 Images with the select knob. Blend to taste – turn left for more pickup and right for more Imag
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® ACOUSTIC IMAGING 3
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About this pedal Larry Fishman developed the Signature Series Aura Pedal with a world-class team of professionals, including musician Jerry Douglas, recording studio engi- neer Bil VornDick, and reknowned resonator builder Paul Beard, to bring you the most realistic amplifi ed tone available. Night after night, or any time you record, this pedal lets you reproduce the tone that can only be created by such trade masters. In order to fully realize the benefi ts of this pedal, we recommend using
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A word from Paul Beard “In the world of resophonic guitar amplifi cation, we fi nally have resolution! The Fishman Nashville Series resophonic pickup is the result of new technology and innovative design. Use this pickup when playing with the Aura Imaging Pedal, select a microphone Image and turn it up. This new resonator pickup and Aura will make your microphone obsolete.” A word from Bil VornDick “We used Class A discreet mic preamps with vintage and artistically chosen microphones to creat
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Images Image Microphone Type Distance 1 Neumann U67 Large diaphragm tube condensor 12” 2 Neumann U67 Large diaphragm tube condensor 18” 3 RCA 77 Poly-directional ribbon 12” 4 RCA 77 Poly-directional ribbon 12” (Instrument drop tuned to CAFCAF) 5 Neumann M149 Large diaphragm tube condensor 18” 6 Neumann M149 Large diaphragm tube condensor 12” 7 Crowley Tripp El Diablo Figure 8 ribbon 12” 8 Shure SM81 Uni-directional small condensor 12” 6
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Image Microphone Type Distance 9 Royer R-121 Figure 8 Ribbon 12” (Instrument drop tuned to CAFCAF) 10 Neumann U47 Lg. diaphragm cardioid tube condensor 12” 11 Neumann FET 47 Cardioid FET Lg. diaphragm condensor 12” 12 Neumann FET 47 Cardioid FET Lg. diaphragm condensor 12” (Instrument drop tuned to CAFCAF) 13 Crowley Tripp Soundstage Figure 8 Ribbon 12” 14 Neumann KM84 Small diaphragm cardioid condensor 12” 15 Shure KSM 32 Side-address cardioid condensor 9” 16 Shure SM-57 Cardioid
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Using effects When using your Aura Imaging Pedal with other effects devices, place the Aura Imaging Pedal fi rst in the chain after your guitar. ® ACOUSTIC IMAGING 8
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If you have a pedal tuner, place it before the Aura Imaging Pedal. ® ACOUSTIC IMAGING 9
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Left side panel Output Use a standard ¼-inch instrument cable to connect the output to your amplifi er, mixer or effects devices. You can also connect this output to an unbalanced input on a recording system. 9vdc See Power section. 10
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Right side panel Input Plug in your guitar here with a standard ¼-inch instrument cable. If you have a passive undersaddle pickup (no battery onboard), always plug into the Aura Imaging Pedal fi rst, even if you use a pedal tuner. Trim Raise or lower the trim to optimize the input level for your pickup. Play hard and adjust trim so clip/batt LED fl ashes occasionally. Use your thumb or a pick to turn the trim control. 11
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Control set Phase switch Use the phase switch to improve bass response at low volume or to control feedback at high volume. Play your guitar and toggle the phase switch back and forth until you achieve the desired result. Volume For the cleanest signal, set the volume as high as possible without clipping the next device in the signal chain. If you hear distortion and the clip/batt light is not fl ashing, reduce the volume. 12
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Select The 16 Images you can choose with the select knob are hand picked for your type of guitar. Try all 16 and pick the ones that compliment your playing style and sound good in the room. For example, dark/deep sounding Images may add impact to a solo performance. Brighter/lighter Images may compliment an ensemble. There are no rules; try them all and decide which works best for you. Blend Position the blend knob straight-up at 12 o’clock and you’ll hear a 50/50 mix of Aura + pickup. Turn
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Blend (continued) Suggestions � To fi nd a good mix of Image and pickup, turn the blend knob to about 8 o’clock, then step on the footswitch. Compare the Image/ pickup mix to the dry pickup signal. Slowly move blend clockwise and then switch between the two until you are happy with the Image/pickup blend. � For live performance try backing off the Image by setting blend to about 10 or 11 o’clock or about 65% pickup. You won’t need too much Image blended in to achieve a great live sound. If fee
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Footswitch Step on the footswitch to bypass the Aura effect. When you stomp, you’ll hear the dramatic difference between the Image blend and the dry pickup. When the light above the footswitch is on, the Image is active. Note when the effect is bypassed, your guitar signal remains buffered. Also, if the blend knob is set to 7 o’clock, you will hear no difference between active and bypass states. Mute (optional mode) You may set up the footswitch to alternate between the Image blend and muted
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Power ( Power may be supplied by either a 9V battery battery compartment under ) pedal or an approved 9V adapter. Insert a plug into the input jack, and the Aura Imaging Pedal powers up. To conserve the battery, remove the plug from the input when not in use. ( ) For AC power, use the Fishman 910-R for 110V or other suitable 9V adapter. The adapter must be fi ltered, regulated and rated for at least 200mA. It should also accept AC power appropriate for your country. Power Plug requirements:
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Battery replacement The clip/batt indicator will light steadily when it is time to change the battery. Open the battery door underneath the pedal and install a fresh 9V alkaline or lithium battery. When the clip/batt LED comes on you have approximately one hour of remaining battery life. clip | batt 17
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Specifi cations Digital signal path: A/D, D/A conversion: 24-bit Signal processing: 32-bit Power supply: 9V alkaline battery or 9VDC adapter Typical in-use current consumption: 18mA Typical 9V alkaline battery life: 27 hours ( ) 9V adapter: Fishman 910-R for 110V or suitable fi ltered and regulated, 200mA type, tip = negative Input impedance: 10M Ohm Nominal output impedance: 3.5k Ohm Input trim gain range: -10dB to +2dB Maximum output level (onset of clipping): +2.4dBV ( ) Baseline n
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www.fi shman.com 513-300-146 Rev A 6-07
